Skip to main content

Authors - C

A-B-C-D-E-F-G-H-I-J-K-L-M-N-O-P-Q-R-S-T-U-V-W-X-Y-Z

Tom Cabot

John Cacioppo (with William Patrick)

Deborah Cadbury

Alice Calaprice

Nigel Calder

Nigel Calder (with Henrik Svensmark)

Paul Callaghan (with Kim Hill)

Paul Callaghan (with Bill Manhire)

Craig Callender (with Ralph Edney)

Deborah Cameron

Miles Cameron

Fritjof Capra

Louise Carey

Nessa Carey

Robert Cargill

Bernard Carlson 

Brian Carpenter

Michael Carroll

Sean Carroll

Richard Carter

Rita Carter

Stephen Cass (with Kevin Grazier)

Tom Cassidy (with Thomas Byrne)

Brian Cathcart

Jack Challoner

Jack Challoner (with John Perry)

Nicholas Cheetham

Margaret Cheney

Eugenia Cheng

Tom Chivers and David Chivers

Marcus Chown

Marcus Chown (with Govert Schilling)

Brian Christian

Brian Christian (with Tom Griffiths)

Robert Cialdini (with Noah Goldstein & Steve Martin)

Milan Circovic

John Clancy

Stuart Clark

David Clarke

Brian Clegg 

Brian Clegg (with Oliver Pugh)

Brian Clegg (with Rhodri Evans)

Raymond Clemens (ed.)

Daniel Clery

Frank Close

Matthew Cobb

I. B. Cohen

Jack Cohen (with Ian Stewart and Terry Pratchett)

Richard Cohen

Leonard Cole

Peter Coles

Harry Collins

Robert Colvile

Neil Comins

Joseph Conlon

Mariana Cook

Matt Cook

Peter Cook

Mike Cook (with Tony Veale)

Nancy Cooke (with Margaret Hilton) Eds.

Ashley Cooper

Geoffrey Cooper

Henry Cooper

Jennifer Coopersmith

Jack Copeland

David Corcoran (Ed.)

Charles Cotton (with Kate Kirk)

Heather Couper (with Nigel Henbest)

Brian Cox (with Jeff Forshaw)

Daniel Coyle

Jerry Coyne

Naomi Craft

Catherine Craig (with Leslie Brunetta)

Robert Crease

Robert Crease (with Alfred Scarf Goldhaber)

Ian Crofton

Irena Cronin (with Robert Scoble)

Alfred Crosby

John Croucher (with Rosalind Croucher)

Rosalind Croucher (with John Croucher)

Vilmos Csányi

Comments

Post a Comment

Popular posts from this blog

Wonderworks - Angus Fletcher *****

If you are interested in both writing and science this is an unmissable book. Reading can not just impart information, but can influence the way that we feel. Angus Fletcher describes 25 literary techniques (many also applicable to film and TV), ranging from those known to the Ancient Greeks to modern innovations, that can have a particular influence on our feelings and state of mind. Interestingly Fletcher describes this as technology - devices to make something happen. But rather than being a purely philosophical exploration, what lifts the book significantly is that for each of these techniques, Fletcher describes how studies of the impact on the brain show the physical effects occurring in different parts of the brain as a result. The chapters (one for each technique) end with a faintly self-help feeling bit - for instance, how you can use the 'clear your head' technique by reading certain texts, but that really isn't the point. This isn't a self-help book, it's
Post a Comment
Read more

Being You - Anil Seth ***

The trouble with experts is they often don't know how to explain their subject well to ordinary readers. Reading Anil Seth's book took me back to my undergraduate physics lectures, where some of the lecturers were pretty much incomprehensible. For all Seth's reader-friendly personal observations and stories, time after time I got bogged down in his inability to clearly explain what he was writing about. It doesn't help that the subject of consciousness is itself inherently difficult to get your head around - but I've read plenty of other books on consciousness without feeling this instant return to undergraduate confusion. There are two underlying problems I had with the book. One was when complex (and, frankly, rather waffly) theories like IIT (Integration Information Theory) were being discussed. As the kind of theory that it's not currently possible to provide evidence to support, this is something that in other fields might be suggested not to be science at
1 comment
Read more

Life is Simple - Johnjoe McFadden ***

This is a really hard book to review, because it has two quite distinct parts and the chances are that if you are interested in one of these parts, you may well find the other part less engaging. The first section concerns the development of Occam's razor - the idea of keeping your explanation of something as simple as possible while it still works - and the impact this would have on philosophy (and proto-science) in the Middle Ages. The second part treads very familiar ground in taking us through some of the major developments in science from Galileo onwards, occasionally tying back to Occam's razor to show that the impact of the idea continued. As it happens, I love the first bit as I find the medieval development of science and its intertwining with religion and philosophy fascinating. Jonjoe McFadden brought in a lot of material I wasn't familiar with. Of course I was aware of Occam's razor itself, but I knew nothing about William of Occam as a person, or the way hi
1 comment
Read more