The forensic scientist's work forms a fascinating part of crime drama, with the pathologist playing a big supporting role in many police procedurals, while some shows such as the various CSI series , Silent Witness, Bones, Waking the Dead drive the action from the forensics. It's not surprising, then, that Sanjukta Mondal makes good use of this TV introduction to this science both to introduce real concepts, but also to point out where the fictional versions get it wrong. It's also essential to cover, as she does, the reality that forensic work has itself slipped up. The book's introduction finishes with a reference to the key phrase 'every contact leaves a trace' becoming a guiding principle, but then tells us 'Does that mean forensic science is foolproof? The answer is no. It comes with its own set of pitfalls.' And these pitfalls will form a significant part of telling the story of the development of forensic science as a discipline. Although TV show...
It has always seemed a hope that we could help readers to think about science through science fiction, and this latest book in Springer's noble attempt to have crossover titles between science and science fiction (more on the series later) digs into the history of schemes to educate using SF as either bait or a medium of education. Jörg Determann sets out up front that he is not out to tell us how this should be done, but rather to document the attempts. There is a whole range of media here: we begin with university classes on science fiction writing, move onto movies and TV, planetariums, museums, 'The Science of X' books and finally games and the future of the approach. Some sections worked better than others. The movies and TV part was probably most enjoyable, while the planetariums parted seemed somewhat excessive, dedicating a whole chapter to a very niche means of doing science education. One mixed section was 'The Science of X'. This dealt with the books tha...