In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

Joshua Howgego is currently the Acting Head of Features at New Scientist magazine. He’s been on staff at the magazine for nine years and before that completed a PhD in chemistry. His first book is The Meteorite Hunters .  Why meteorites ? Years ago I was at a scientific conference and I heard meteorites described as time capsules from the birth of the solar system. I realised that, although we usually use telescopes to study space, these extraterrestrial stones provide another unique way of doing so. I found that prompted a lot of questions for me, including 'how on Earth do you find a meteorite?' and 'how do you read the secrets inside them?' It was these questions that led me to write my book. Why this book? As a magazine feature editor, I’m interested in how stories are told and how a good narrative is structured. What appealed to me about hunting meteorites is that presents a ready-made narrative: you have a person setting out on a quest to find incredible treasure!...

This wasn't the book I expected it to be from the subtitle 'exploring classic Sci-Fi stories through the lens of modern science'. For me, to be 'classic' something has to be both relatively old and high quality. Without the quality part, 'dated' might be a better word - and that's primarily what we get here. I had the same problem with the recent book Classic Science Fiction Stories , so I can't really blame Stephen Webb, but I had in mind a kind of 'science of' book for Golden Age SF. Instead we get end of the nineteenth/early twentieth century proto-SF, often with very little science to be 'science of' with. The problem with this approach, for me, is illustrated by the best story (as a pure story) in the collection, G. K. Chesterton's The Tremendous Adventures of Major Brown,  which first appeared in 1903. This is part of Chesterton's entertaining 'Club of Queer Trades' series of stories, using a Sherlock Holmes-ish ...

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...

Although they are often bracketed together, 'nature' and 'science' are only loosely related topics. Sönke Johnsen's look at life in the open sea (both for scientists and its inhabitants) could have ended up as something close to the David Attenborough end of the spectrum, but I'm pleased to say that although it's more descriptive than some popular science, the book still gives us more insights than 'nature' books and TV provide, from its marine biology focus. Johnsen starts by remembering his first experience of the oceans - the same as most of us from seaside holidays. As he puts it 'I thought the beach was the ocean; that somehow the whole ocean was the sound of breaking waves, laughing gulls, and greenish murky water that smelled faintly of rotting seafood.' By the time he made graduate school as a marine biologist he saw the ocean as 'an oversized aquarium, clear and packed with life... If the beach was the peel of the ocean, though, ...