Skip to main content

What's Next - Jim Al-Khalili (Ed.) ***

There's a certain kind of book that's popular with academic publishers, where you collect together a set of essays on a topic from different contributors. Most of the contents are usually rather dull, but the odd one shines out. I assume it's a cheap way for publishers to get material, but it's rarely highly readable. This is just such a book, but from a mainstream source and packaged with a shiny foil-bedecked cover as if it were a fun pop sci jaunt through the subject of the future. Just look at that title with it's provocative tagline 'Even scientists can't predict the future... or can they?'

The whole idea of futurology - attempting to extrapolate how we and our technology will develop in the future - is doomed to failure. Everyone gets most of it wrong, and it's impossible to pick out the gems from the dross. You only have to look back at Alvin Toffler's Future Shock with its impressive disaster of an attempt to predict the year 2000, which was wonderfully well received when written in the 70s, to see how difficult it is to get the future right. One of the few genuine bits of effective futurology often cited is Arthur C. Clarke's prediction of the communications satellite. But we need to bear in mind that this was from the man who thought it reasonable that in 2001 we would sending a manned mission to Jupiter and would have a huge rotating space station producing artificial gravity, connected to the Earth by PanAm space shuttles and Bell videophones.

All the articles in What's Next are fairly readable, though some tend to the academic turgid style. There is, however, a distinct split in approach between negative and positive outlooks. Peter Bowler, in A History of the Future, suggests that traditionally future-gazers with a scientific training tend to have a more positive view, while the literary types tend to dystopian visions. I'm not sure that is entirely true here, where all the writers have a science/tech background, but not every essay is cheery.

We see the most effusive approach in the essay on smart materials by Anna Ploszajski. Here there is no uncertainty: 'In the future this will be a reality', we are told. Perhaps someone ought to have warned the author that futurology really doesn't work like this. Elsewhere, highlights include a thoughtful essay on demographics by the always excellent Philip Ball, fun with Adam Rutherford on synthetic biology and some straightforward thoughts on the future of cybersecurity: here I learned a new (to me) acronym - PICNIC for 'Problem Is in the Chair Not In the Computer' i.e. it's easier for computers to avoid falling into traps than the humans who use them.

A few oddities struck me. The first was that the section on transport by John Miles hardly mentions trains, though it does seem a bit over-optimistic about the workings of a smart public transport system, given after decades of trying we can't even get bus and train timetables to align. Secondly, although several essays mentioned self-driving cars and how they will bring down the number of road deaths, no one looked at the psychology of their adoption. They need to draw a lesson from the failed 'Summertime all year round' experiment in the UK. Like self-driving cars, this significantly reduced road deaths. But the experiment was cancelled because a few deaths were caused by the approach. People consider a handful of actual deaths to be much more significant than thousands of potential lives saved.

The final oddity was the closing essay, by Jim Al-Khalili. This was straight popular science with quick summaries of teleportation and time travel. The only futurology here was the suggestion they might be practical at some point, but otherwise it was a very rapid zip through quantum entanglement and general relativity-related time travel (strangely, no mention of the much easier special relativity one-way version). Though very readable, this seemed a little out of synch with the rest of the book.

Overall, it's hard not to answer that question in the subtitle with 'No, they can't.' I always feel that futurology is a bit like hearing about someone else's dreams - more interesting for the teller than the listener.

Paperback:  

 
Kindle:  
Using these links earns us commission at no cost to you


Review by Brian Clegg

Comments

Popular posts from this blog

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book

Quantum Mechanics and Avant-Garde Music - Rakhat-Bi Abdyssagin ****

This is a fascinating and unique book about the parallel development of, and occasional interactions between, modern physics and contemporary classical music. It’s also a far easier and more enjoyable read than its narrowly academic-sounding title might suggest. If it had been called ‘Music and Quantum Physics’ then I suspect far more people would be motivated to check it out – and, for the most part, I think they’d get exactly what they were looking for. I deliberately moved the word ‘music’ to the front of my version of the title, because that’s what the book is primarily about – with physics being a background thread, rather than vice versa. Equally, Rakhat-Bi Abdyssagin is essentially a professional musician with a sideline in the history and philosophy of science – a far less common combination than the other way around. He also seems to have been something of a musical prodigy, mentioning physics-inspired compositions that he wrote as far back as 2013, when he was just 14 years o

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T