Skip to main content

Sea of Rust (SF) - Robert Cargill ****

Although the Pixar movie Wall-E has demonstrated it's possible to tell a story effectively with robots as the protagonists, this was achieved using dollops of gooey anthropomorphism. What Robert Cargill achieves is far harder - to give us an engaging novel where all of humanity is dead and the only intelligence is artificial without playing the 'they're just like people, really' card too heavily.

I say 'too heavily' because I think it's fair to say that there is still an unlikely level of human-like behaviour here. Robots speak to each other in English when they could achieve vastly richer high bandwidth audio communication. And most robots appear to have gender. (Even Cargill occasionally slips up on this, at least once calling the same machine 'he' and 'it'.) We're told the use of gender is because when AIs first broke free it was decided that no robot would have to be called 'It' anymore - but there seems no logical reason why the AIs would want to identify with the old human genders - and there is nothing about the characters we meet that is in any way related to gender.

So, it would have been more realistic if the characters here - who develop nicely - had been a little less human-like and more had been made of their AI natures and abilities. The only real distinction from humans seems to be in their physical prowess - in everything mental they were far too human. However, given that, it's a great story. There's plenty of drama, battles and a surprising amount of (welcome) philosophising too. Although there's a slightly derivative Mad Max feel to some of the settings, it never becomes pure fighting adventure with no thought.

The storyline follows the central character Brittle, a scavenger of parts from failing robots, both in Brittle's attempt to survive as an individual and as part of a group trying to avoid a wider fate where robots are being drawn into massive mainframe collectives. However, what we get is not a purely linear narrative - there are regular jumps back to understand how human beings came to be wiped out and some of Brittle's backstory.

I'm likely that I'm asking the impossible from Cargill, in that I suspect it would be much harder to keep an interest in characters that were less human-like, but it would have been interesting to see the nature of truly independent AIs that didn't have to hark back to human behaviour and thinking pushed further. Even so, Sea of Rust works excellently both as a straightforward story of survival and as an exploration of the nature of conscious intelligence.

Paperback:  

 
Kindle:  
Using these links earns us commission at no cost to you



Review by Brian Clegg

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

The Autobiography – Charles Darwin ****

I have to confess to putting off reading this book until the last moment, as I expected it to be a typical piece of Victorian sentimental unreadable stodge. I was wrong. Darwin’s little book (only 150 small pages with appendices) was originally written for his own children, and displays a very personal style of writing – though, as son Francis comments, his style was always more populist than was common then: “In writing he sometimes showed the same strong tendency to strong expressions that he did in conversation. Thus in the Origin, p440, there is a description of a larvel [sic] cirripede ‘with six pairs of beautifully constructed natatory legs, a pair of magnificent compound eyes and extremely complex antennae’. We used to laugh at him for this sentence, which we compared to an advertisement.” The main book is delightful because it demonstrates Darwin’s self-depreciating modesty, and the fascinating path he took from enthusiastic shooter of game, to amateur geologist (still his...

The Premonitions Bureau - Sam Knight ****

Not everyone would class this as popular science, but it concerns an attempt to take a scientific approach to paranormal abilities - notably premonitions (aka clairvoyance) and as such, it fits the category. Writing in the typical dramatic storytelling style of a US magazine, Sam Knight brings to life the remarkable tale of the work of two British figures from the 1960s. The central one is psychiatrist John Barker, with a supporting role given to newspaper and TV science reporter Peter Fairley. Barker had a long interest in extra sensory phenomena - the story takes off when he was inspired by a number of people claiming to have foreseen the Aberfan disaster (which terrible tragedy Knight covers movingly). As a result of the Aberfan premonitions, the pair were responsible for London's Evening Standard newspaper setting up a long-running experiment in the form of 'The Premonitions Bureau.' Aware that the Aberfan predictions were only reported after the event, and hence flawe...