Skip to main content

Super Power, Spoony Bards and Silverware - Dominic Arsenault ***

This quirkily-titled exploration of the rise and fall of the Super Nintendo Entertainment System (SNES) scores three stars as a general popular science title - if, like me, you sit at the intersection of being interested in computing, gaming and business it's a solid four stars.

Once I had got over a few sniggers at the idea that game studies/platform studies could be an academic discipline, about which you can write a serious academic work with Harvard referencing and everything, I found this a genuinely fascinating book. I was never a SNES user - I made the transition from an earlier console (Mattel's Intellivision) to a Commodore 64, Amiga and then PCs for gaming - but it was impossible to be unaware of it during its heyday from the late 80s.

It seems that the SNES is generally looked back on with awe by those who were fans at the time, but Dominic Arsenault brings a more balanced view, pointing out the technical and business limitations of the product - all driven by a business philosophy at Nintendo which relied on locking players and developers into a 'walled garden'. He shows how Nintendo resisted the innovations, such as CD-Rom that were transforming gaming and how its difficulties in deviating from a 'family friendly' approach caused it pain.

I found all the components that made up the SNES story genuinely interesting - Arsenault does a good job of covering the technology (I hadn't realised that to overcome the limitations of the SNES's cheap and cheerful processor, some of the game cartridges contained more powerful CPUs than the console), the oddities of the graphics modes and the impact of the introduction of 3D (not through glasses, but games which had apparent depth of field). Particularly interesting with a business hat on were Nintendo's tactics of using last-generation tech to keep things simple and of putting games developers through many hoops to have the honour of writing for them - as opposed to the far more open platforms that would follow.

There were a few things that could have been better. The opening section is a little repetitive. Sometimes Arsenault seems more interested in scoring an academic point that informing the reader. We could have done with more illustrations (ideally in colour). And I think it's shortsighted to only give context from other console platforms. As it is made clear in the book, computer games, particularly once PCs became equipped to handle them, did a lot of the driving in the early 90s (think Doom or 7th Guest, for example) with the consoles scrambling to keep up. As far as potential gamers were concerned there wasn't a clear divide between computers and consoles, and it doesn't make sense to avoid the computer rivals when putting the SNES in context.

Overall, though, despite this not trying to be anything other than an academic title, if you sit in that overlapping part of the Venn diagram like me, that combination of period game technology (just the mention of sprites gets me excited), hardware developments and the business practices of Nintendo and their rivals makes for a surprisingly riveting read.

Hardback:  

 
Kindle:  
Using these links earns us commission at no cost to you


Review by Brian Clegg

Comments

Popular posts from this blog

Rakhat-Bi Abdyssagin Five Way Interview

Rakhat-Bi Abdyssagin (born in 1999) is a distinguished composer, concert pianist, music theorist and researcher. Three of his piano CDs have been released in Germany. He started his undergraduate degree at the age of 13 in Kazakhstan, and having completed three musical doctorates in prominent Italian music institutions at the age of 20, he has mastered advanced composition techniques. In 2024 he completed a PhD in music at the University of St Andrews / Royal Conservatoire of Scotland (researching timbre-texture co-ordinate in avant- garde music), and was awarded The Silver Medal of The Worshipful Company of Musicians, London. He has held visiting affiliations at the Universities of Oxford, Cambridge and UCL, and has been lecturing and giving talks internationally since the age of 13. His latest book is Quantum Mechanics and Avant Garde Music . What links quantum physics and avant-garde music? The entire book is devoted to this question. To put it briefly, there are many different link...

Should we question science?

I was surprised recently by something Simon Singh put on X about Sabine Hossenfelder. I have huge admiration for Simon, but I also have a lot of respect for Sabine. She has written two excellent books and has been helpful to me with a number of physics queries - she also had a really interesting blog, and has now become particularly successful with her science videos. This is where I'm afraid she lost me as audience, as I find video a very unsatisfactory medium to take in information - but I know it has mass appeal. This meant I was concerned by Simon's tweet (or whatever we are supposed to call posts on X) saying 'The Problem With Sabine Hossenfelder: if you are a fan of SH... then this is worth watching.' He was referencing a video from 'Professor Dave Explains' - I'm not familiar with Professor Dave (aka Dave Farina, who apparently isn't a professor, which is perhaps a bit unfortunate for someone calling out fakes), but his videos are popular and he...

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on...