Skip to main content

Slow Time Between the Stars (SF) - John Scalzi ***

This is a bit of an oddity - it's a review of a single SF short story, available separately on Kindle (free to those with Prime/Unlimited). As I noted when reviewing Connie Willis's Time is the Fire collection, science fiction is a natural for short stories and the concept here is both timely and interesting.

Getting to the stars is going to take a long time - far too long for an ordinary human voyage. Over the years, SF writers have come up with all sorts of ways around this, from generation starships to warp drive, but the most realistic option is we don't send people at all. In John Scalzi's story, a fully autonomous AI is sent out with the ability to create human life if and when it reaches a suitable planet. We get to see the AI's decision making over thousands of years, how it decides to approach its mission and how its viewpoint drifts away from its human creators.

Unfortunately, while a good idea is essential for a short story, so is engagement of the reader - and that really doesn't happen here. The story is all told in the first person by the AI - making it a story that's a single internal monologue, and not a very interesting one at that. This means we get a whole lot of tell and no show. According to my Kindle, the story is a 19 minute read but it felt a lot longer than that.

Sometimes to make an idea work you have to approach it tangentially. The story is described in the blurb as mind-bending, but I'm afraid I found it rather mind-numbing.

Kindle 
Ebook: 
Using these links earns us commission at no cost to you
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email free here

Comments

Popular posts from this blog

Roger Highfield - Stephen Hawking: genius at work interview

Roger Highfield OBE is the Science Director of the Science Museum Group. Roger has visiting professorships at the Department of Chemistry, UCL, and at the Dunn School, University of Oxford, is a Fellow of the Academy of Medical Sciences, and a member of the Medical Research Council and Longitude Committee. He has written or co-authored ten popular science books, including two bestsellers. His latest title is Stephen Hawking: genius at work . Why science? There are three answers to this question, depending on context: Apollo; Prime Minister Margaret Thatcher, along with the world’s worst nuclear accident at Chernobyl; and, finally, Nullius in verba . Growing up I enjoyed the sciencey side of TV programmes like Thunderbirds and The Avengers but became completely besotted when, in short trousers, I gazed up at the moon knowing that two astronauts had paid it a visit. As the Apollo programme unfolded, I became utterly obsessed. Today, more than half a century later, the moon landings are

Splinters of Infinity - Mark Wolverton ****

Many of us who read popular science regularly will be aware of the 'great debate' between American astronomers Harlow Shapley and Heber Curtis in 1920 over whether the universe was a single galaxy or many. Less familiar is the clash in the 1930s between American Nobel Prize winners Robert Millikan and Arthur Compton over the nature of cosmic rays. This not a book about the nature of cosmic rays as we now understand them, but rather explores this confrontation between heavyweight scientists. Millikan was the first in the fray, and often wrongly named in the press as discoverer of cosmic rays. He believed that this high energy radiation from above was made up of photons that ionised atoms in the atmosphere. One of the reasons he was determined that they should be photons was that this fitted with his thesis that the universe was in a constant state of creation: these photons, he thought, were produced in the birth of new atoms. This view seems to have been primarily driven by re

Deep Utopia - Nick Bostrom ***

This is one of the strangest sort-of popular science (or philosophy, or something or other) books I've ever read. If you can picture the impact of a cross between Douglas Hofstadter's  Gödel Escher Bach and Gaileo's Two New Sciences  (at least, its conversational structure), then thrown in a touch of David Foster Wallace's Infinite Jest , and you can get a feel for what the experience of reading it is like - bewildering with the feeling that there is something deep that you can never quite extract from it. Oxford philosopher Nick Bostrom is probably best known in popular science for his book Superintelligence in which he looked at the implications of having artificial intelligence (AI) that goes beyond human capabilities. In a sense, Deep Utopia is a sequel, picking out one aspect of this speculation: what life would be like for us if technology had solved all our existential problems, while (in the form of superintelligence) it had also taken away much of our appare