Skip to main content

Sentience - Nicholas Humphrey *****

The first seventy-odd pages of this book are absolutely phenomenal (pun intended, though still true). We start with a near-stream of consciousness prologue - very appropriate for a book on sentience - and then go on to have a description of the early part of Nicholas Humphrey's career in a wonderfully approachable fashion with a writing style somewhere between a deep conversation and a thought process. I particularly loved Humphrey's description of his heading off to Elba to investigate the paranormal claims of the eccentric Hugh Sartorius Whitaker and his experiences with Dian Fossey (not always pleasant) when visiting to study the 'natural psychologist' ability of gorillas.

The book then takes a change of tack, signified by the author heading the next chapter 'To work', as he sets out to build for us his theory on the nature of sentience and 'phenomenal consciousness'. This too is very interesting, but lacks the same storytelling verve. It's also a lot harder to get your head around, as a lot of the time we are dealing with rather wispy philosophical concepts. The central thesis is that sentience is about not the ability to react to sensations (as it originally meant), but to be consciously aware of what it's like to experience sensations (that's phenomenal consciousness, I think - though I need to say 'I think' because it is difficult to take in).

The job Humphrey has is to persuade the reader of his thesis, apparently not accepted across the board by any means, that sentience arises from a particular mechanism in the brain. This, he suggests, was linked to warm-bloodedness, so it is likely that only mammals and birds (presumably potentially also including earlier dinosaurs) have been sentient - though not all to the same level. He gives a (to me) quite convincing argument that, for example, playing is a good indicator of sentience.

There were times when I think there could have been more explanation (and he might have better avoiding some of the confusing technical terms). So, for example, I don't think there is enough distinction between the sensation of redness as we experience it and the quality of an object being red, which is a simple physical property of giving off photons in a certain range of energies. To philosophers used to discussing this topic, there is a yawning gap between the two - but to the ordinary reader they are much closer and the distinction needed better handling. The same is true of some of the other philosophical niceties that are needed to really get your head around this topic.

Despite this resulting in sometimes feeling like I was experiencing Humphrey's ideas like a view through gauze (going all sensational there), reading this book was a real pleasure. 

Hardback:   
Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg - See all of Brian's online articles or subscribe to a weekly digest for free here

Comments

Popular posts from this blog

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on