Skip to main content

The Midwich Cuckoos (SF) - John Wyndham *****

The recent TV adaptation of John Wyndham's classic science fiction novel inspired me to dig out my copy (which has a much better cover than the current Penguin version) to read it again for the first time in decades - and it was a treat.

Published in 1957, the book takes a cosy world that feels more typical of a 1930s novel - think, for example, of a village in Margery Allingham's or Agatha Christie's books - and applies to it a wonderfully innovative SF concept. Rather than give us the classic H. G. Wells alien invasion, which, as a character points out, is really just conventional warfare with a twist, Wyndham envisaged a far more insidious invasion where the aliens are implanted in every woman of childbearing age in the village (in a period of time known as the Dayout, when everyone is rendered unconscious). 

Apparently like humans but for their bright golden eyes, a joined consciousness and the ability to influence human minds, the Children effectively take over the village. But what's so clever about the book is not just the alien threat itself, but the difficulties it provides for the local people and the authorities when they try to deal with what is gradually realised to be an existential threat to humanity.

Even for 1957, the characters and the book's narration have quite an old-fashioned feel - I suspect Wyndham did this on purpose to emphasise the contrast between this already quaint English setting and the situation that the Dayout brought to the village. The narrator feels like a Wells character, while there's a chief constable of the blustering, thick-as-two-short-planks kind that Allingham celebrated as a wonderful example of Englishness (but now seems bizarrely unprofessional).

The result is a quite cerebral, but truly engaging story as the characters attempt to deal with what initially is pure mystery and later becomes a nightmare with no obvious way out. Because it's almost written as a period piece, the only point at which I felt it was let down by datedness was when Wyndham has a character suggest that there was little evidence for human evolution to our current form: even without DNA evidence, there was plenty of science on the matter already available by the 1950s.

One thing the book did for me was to inspire all sorts of thoughts about how the situation would be different now. One obvious aspect is that there are two house fires that kill people during the Dayout - because heating was largely based on open fires at the time. But the most dramatic difference was the ease with which what was happening was kept secret - something that's hard to imagine with modern communications and social media. I haven't seen the TV show, which has brought the setting forward to the present (and, from a publicity still, misses the whole point of the Children's partially non-individual nature because they all look very different from each other) - in doing so, I can't help but feel it will have lost much of the charm and fascination of the original.

Some classics (whether in science fiction or literature in general) prove distinctly feeble to a modern reader. I'm pleased to say this wasn't the case with The Midwich Cuckoos.

Paperback:   
Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg - See all of Brian's online articles or subscribe to a weekly digest for free here

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

Pagans (SF) - James Alistair Henry *****

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...

Amazing Worlds of Science Fiction and Science Fact: Keith Cooper ****

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...