Skip to main content

Celestial Tapestry - Nicholas Mee ****

There was an old tradition amongst the landed gentry of collecting a 'cabinet of curiosities' - an unstructured collection of interesting stuff they had picked up on their travels. In many ways, Celestial Tapestry feels like a cabinet of curiosities of the mind, with interesting things linking maths and the the world, particularly the arts, that Nicholas Mee has picked up.

It is delightful being able to be transported by Mee on a number of distinctly varied trains of thought and diversions, all with shiny, full colour illustrations. (If I have one complaint about the pictures, it would have been better if this had been a coffee table sized book, so the beautiful images could have been bigger.)

The book is structured into six sections: the fabric of space, time and matter; weaving numbers and patterns; drawing out the golden threads; higher space and a deeper reality; wandering round the knot garden; and casting the celestial net. However, these heading don't really give a feel for how the topics jump around, making enjoyable and unexpected connections. So, for example, the very first topic 'Into the labyrinth' takes us through literal labyrinths to the Hereford Mappa Mundi to Dante's Divine Comedy, before we jump onto Earth, Air, Fire and Water, where we discover, for example, that Henry I's infamous death from a 'surfeit of lampreys' was not a matter of overeating, but was considered to be a problem due to consuming food that was cold and wet, which was supposed to have weighed on his phlegmatic nature.

Although each chapter has a theme, the flow from item to item can sometimes be a little abrupt and episodic. Many of the topics also were covered too briefly. For example, turf mazes are mentioned but not the near-hypnotic tradition of running them, and the wheel of fortune is brought into a section on medieval clocks without any mention of Carmina Burana. The very best segments were where Mee slowed down and spent longer on a single topic. I loved the section, for example, on the Holbein painting The Ambassadors, where we got a lot more depth on the fascinating detail of the painting.

The book works best where it's strongly linking mathematical and scientific concepts and the world around us through art. For me, the weakest section was the one on knot theory - clearly a big passion of Mee's, but one that is considerably more abstract, making it seem less effective.

You can always tell if a book is good if you can't wait to get back to it. That was definitely the case here. A little gem.

Hardback:    
Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Antigravity Enigma - Andrew May ****

Antigravity - the ability to overcome the pull of gravity - has been a fantasy for thousands of years and subject to more scientific (if impractical) fictional representation since H. G. Wells came up with cavorite in The First Men in the Moon . But is it plausible scientifically?  Andrew May does a good job of pulling together three ways of looking at our love affair with antigravity (and the related concept of cancelling inertia) - in science fiction, in physics and in pseudoscience and crankery. As May points out, science fiction is an important starting point as the concept was deployed there well before we had a good enough understanding of gravity to make any sensible scientific stabs at the idea (even though, for instance, Michael Faraday did unsuccessfully experiment with a possible interaction between gravity and electromagnetism). We then get onto the science itself, noting the potential impact on any ideas of antigravity that come from the move from a Newtonian view of a...

The World as We Know It - Peter Dear ***

History professor Peter Dear gives us a detailed and reasoned coverage of the development of science as a concept from its origins as natural philosophy, covering the years from the eighteenth to the twentieth century. inclusive If that sounds a little dry, frankly, it is. But if you don't mind a very academic approach, it is certainly interesting. Obviously a major theme running through is the move from largely gentleman natural philosophers (with both implications of that word 'gentleman') to professional academic scientists. What started with clubs for relatively well off men with an interest, when universities did not stray far beyond what was included in mathematics (astronomy, for instance), would become a very different beast. The main scientific subjects that Dear covers are physics and biology - we get, for instance, a lot on the gradual move away from a purely mechanical views of physics - the reason Newton's 'action at a distance' gravity caused such ...

God: the Science, the Evidence - Michel-Yves Bolloré and Olivier Bonnassies ***

This is, to say the least, an oddity, but a fascinating one. A translation of a French bestseller, it aims to put forward an examination of the scientific evidence for the existence of a deity… and various other things, as this is a very oddly structured book (more on that in a moment). In The God Delusion , Richard Dawkins suggested that we should treat the existence of God as a scientific claim, which is exactly what the authors do reasonably well in the main part of the book. They argue that three pieces of scientific evidence in particular are supportive of the existence of a (generic) creator of the universe. These are that the universe had a beginning, the fine tuning of natural constants and the unlikeliness of life.  To support their evidence, Bolloré and Bonnassies give a reasonable introduction to thermodynamics and cosmology. They suggest that the expected heat death of the universe implies a beginning (for good thermodynamic reasons), and rightly give the impression tha...