Physicist David Bohm was an unusual character. This American physicist spent much of working life in the UK. A collaborator on the Manhattan Project, Bohm is best known for his alternative approach to quantum theory which did away with conventional ideas of locality and that gave him the opportunity to bring both physics and the nature of thought into the same framework. Bohm's more original ideas were largely dismissed, but have had some resurgence of interest in the last few years.
In his classic book On Creativity, originally written several decades ago, but with some more recent material added, Bohm provides a series of long essays on topics from the nature of creativity and the relationship of science and art, to 'the art of perceiving movement' and 'art, dialogue and the implicit order.'
I found the first two essays quite interesting, particularly in Bohm's insights into the relationship of science and art, but the later essays seemed over-heavy with philosophical concepts that more got in the way of understanding than giving any great clarity, and the concluding interview has the typical shallowness of an attempt to interview a scientist with questioning from an arts background.
If you want to see how the mind of someone with genuinely wide-ranging curiosity and impressive ability to cross cultural and scientific boundaries operated, this book is well worth a go, though expect parts of it to be extremely hard work to read. If you want a clear exposition of the nature of creativity, beyond the basics in the first few pages, it is probably best to look elsewhere.
Kindle:
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In his classic book On Creativity, originally written several decades ago, but with some more recent material added, Bohm provides a series of long essays on topics from the nature of creativity and the relationship of science and art, to 'the art of perceiving movement' and 'art, dialogue and the implicit order.'
I found the first two essays quite interesting, particularly in Bohm's insights into the relationship of science and art, but the later essays seemed over-heavy with philosophical concepts that more got in the way of understanding than giving any great clarity, and the concluding interview has the typical shallowness of an attempt to interview a scientist with questioning from an arts background.
If you want to see how the mind of someone with genuinely wide-ranging curiosity and impressive ability to cross cultural and scientific boundaries operated, this book is well worth a go, though expect parts of it to be extremely hard work to read. If you want a clear exposition of the nature of creativity, beyond the basics in the first few pages, it is probably best to look elsewhere.
Kindle:
Using these links earns us commission at no cost to you
Review by Brian Clegg
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