Skip to main content

The Caves of Steel (SF) - Isaac Asimov ****

Recently reading In the Blink of an Eye, which features an AI detective, I realised it was time to revisit The Caves of Steel - and I'm glad I did. Despite being 70 years old in 2024, the book is still very readable. The setting is perhaps 3000 years in the future, with the population of Earth largely confined to huge enclosed cities, living a communal life that has been forced on them by resource limitations.

Although robots have been around for thousands of years, they are not widely accepted on Earth, though they are on various other-world colonies. The plot centres on a murder in an enclave outside the city of New York set up for 'spacers' who live a far freer life than the Earth population. A New York detective is partnered with a lifelike spacer robot to try to solve the crime. The detective story itself works well, but two things make the novel particularly interesting: the first is the interaction between detective Elijah Baley and the robot detective R. Daneel Olivaw. The second is how drastically wrong Asimov got the technology.

The Baley/Olivaw relationship - and the wider distrust of robots amongst the Earth population - is of particular interest now that AI is rearing its head as a practical replacement for an increasing number of jobs. While I doubt we would get to the same level of animosity - because robots are more in-your-face than ChatGPT - it's still a thought-provoking comparison.

As for the technology, I know perfectly well that science fiction is not intended to predict the future. But it is still fascinating to see how Asimov, from a 50s perspective, thought that humanoid robots would be fairly easy to build (in I Robot, he has humanoid robots on sale by the end of the twentieth century) but totally failed to see the possibilities of the information revolution. In Caves of Steel, computer memory still involves mercury chambers (something that in reality lasted a handful of years, rather than thousands), film and wire recording are still used, and there is no equivalent of the internet. Where the AI detective in the modern novel can search online data at ultra-high speed, Olivaw has no better search ability than a human, working through documents and microfilm.

As usual with Asimov (something he admitted himself), the biggest flaw here is his inability to write effective female characters. There is only one woman in the book and she is straight from the 50s housewife playbook. But this is the only real let-down here, as the technology misses are more delightful than irritating. Some people even still smoke pipes.

I got this as part of a six-book package of Asimov's robot books - I had all of these once, but they got culled in a move. It was excellent to revisit this title (which I read out of order because of In the Blink of an Eye) and I'm looking forward to the rest.

Paperback:   
Kindle 

Six book package:   


Using these links earns us commission at no cost to you
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email free here

Comments

Popular posts from this blog

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on