Skip to main content

Jeremy Szal - Four Way Interview

Jeremy Szal was born in 1995 and was raised by wild dingoes, which should explain a lot. He spent his childhood exploring beaches, bookstores, and the limits of people's patience. He's the author of over forty science-fiction short stories, many of which have been translated into multiple languages. He was the editor for the Hugo-winning StarShipSofa until 2020 and has a BA in Film Studies and Creative Writing from UNSW. He carves out a living in Sydney, Australia with his family. He loves watching weird movies, collecting boutique gins, exploring cities, cold weather, and dark humour. Stormblood is his first novel. 

Why SF?

It’s a genre I’ve loved since I was a kid watching Star Wars on a wet Sunday afternoon. Giant spaceships, laser cannons, desert planets, bizarre aliens, mind-bending weapons, the outlandish nature and weirdness of all it just struck a chord with me, and I know it always will.

Why this book?

I wanted to try something first-person, something voice driven, while still maintaining the big, weird space opera themes that we’ve all come to know and love. Stormblood turned into something pretty spectacular. It’s my favourite thing I’ve ever written, and I put a lot of love into it over the years.

What’s next?

Writing the next two books in the trilogy and trying not to tear my hair out in the process.

What’s exciting you at the moment?

Seeing all the reviews come in for Stormblood, and seeing that the major themes in the book (brotherhood, friendship, trauma, weird alien biotech, dark humour) are all resonating with people as the highlights of the book, as they were intended to be.

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

The Autobiography – Charles Darwin ****

I have to confess to putting off reading this book until the last moment, as I expected it to be a typical piece of Victorian sentimental unreadable stodge. I was wrong. Darwin’s little book (only 150 small pages with appendices) was originally written for his own children, and displays a very personal style of writing – though, as son Francis comments, his style was always more populist than was common then: “In writing he sometimes showed the same strong tendency to strong expressions that he did in conversation. Thus in the Origin, p440, there is a description of a larvel [sic] cirripede ‘with six pairs of beautifully constructed natatory legs, a pair of magnificent compound eyes and extremely complex antennae’. We used to laugh at him for this sentence, which we compared to an advertisement.” The main book is delightful because it demonstrates Darwin’s self-depreciating modesty, and the fascinating path he took from enthusiastic shooter of game, to amateur geologist (still his...

The Premonitions Bureau - Sam Knight ****

Not everyone would class this as popular science, but it concerns an attempt to take a scientific approach to paranormal abilities - notably premonitions (aka clairvoyance) and as such, it fits the category. Writing in the typical dramatic storytelling style of a US magazine, Sam Knight brings to life the remarkable tale of the work of two British figures from the 1960s. The central one is psychiatrist John Barker, with a supporting role given to newspaper and TV science reporter Peter Fairley. Barker had a long interest in extra sensory phenomena - the story takes off when he was inspired by a number of people claiming to have foreseen the Aberfan disaster (which terrible tragedy Knight covers movingly). As a result of the Aberfan premonitions, the pair were responsible for London's Evening Standard newspaper setting up a long-running experiment in the form of 'The Premonitions Bureau.' Aware that the Aberfan predictions were only reported after the event, and hence flawe...