Skip to main content

Light (SF) - John Harrison ***

There's no doubt that John Harrison sets out to stretch the bounds in Light, the first of a trilogy. Nor is there any doubt that what Harrison does in this book is very clever. The result is something that is arguably both a great book and a mess, so the three stars is something of an average.

 Some readers may be put off by the fact that the narrative starts out in a way that is highly disjointed. We've got three interlaced story strands, one in present day England and two in a distant future, though there is no obvious connection between them. You have to read a whole lot of the book without much clue as to what's going on before it all comes together. Done properly, and if the reader has a lot of patience, this technique can be stunning. Gene Wolfe does it to perfection in the fantasy classic There Are Doors. Here it sort of works.

 The two future strands, with central characters who are respectively an addict of an immersive entertainment system and someone who has given up her humanity to be the sort-of controlling brain of a starship, have a clever premise that space travelling humans, and a couple of non-human races, make use of vastly older technology they don't really understand, found near a strange natural (or not) phenomenon in a kind of tech graveyard. This is certainly interesting, though the strand I found I was happiest to return to was the present day one.

 In this, the central character is one of two physicists, apparently trying to develop a quantum computer in a strangely amateurish setting. What they're doing seems to bear little resemblance to anything in current quantum computer research, but somehow, in part thanks to something unnatural seen in a computer simulation, it seems to end up being a faster-than-light drive instead. Oh, and the main character is haunted by a creature with a horse's skull for a head, which he somehow assumes will stay away from him if he kills people.

 It's hard to have any sympathy for any of the central characters - one more obstacle Harrison seems to have intentionally put in the way to make this book harder work to enjoy. There's also a lot of techno-glitter - the sort of clever wordplay that sounds like it should be meaningful but really isn't. This technique is probably best illustrated by Roy's 'I've seen things you people wouldn't believe,' speech towards the end of Blade Runner. Harrison seems particularly fond of terminology from chaos theory - we get at least three references to a strange attractor - but often it feels like the words wash over the reader, sounding as if they have more content than is really there.

 To an extent it all comes together at the end, though a fair amount is left unexplained. There's no doubt that reading this book is an experience you will remember. Whether you will enjoy it or not, I'm not sure. Several weeks after reading it, I still can't decide whether or not to go onto the other books in the trilogy - there's a kind of 'Want to read on, despite yourself' feeling as you go through the book, and this urges me to continue to the next volume. But it's the same kind of appeal of picking a scab. Might be best not to.

Paperback:  

Kindle:  
Using these links earns us commission at no cost to you

 
Review by Brian Clegg

Labels

Labels:

Comments

Post a Comment

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...
Post a Comment
Read more

Pagans (SF) - James Alistair Henry *****

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...
Post a Comment
Read more

Amazing Worlds of Science Fiction and Science Fact: Keith Cooper ****

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...
Post a Comment
Read more