Skip to main content

The Martian (SF) - Andy Weir *****

I read The Martian a year ago this month, just after embarking on the research for my own (non-fiction) book Destination Mars. And it had an impact. Before reading Andy Weir’s novel, although I was fascinated on a theoretical level by the idea of sending people to Mars, I was immensely sceptical about it as a practical proposition. By the time I’d finished the novel, I was an out-and-out Mars enthusiast. Any work of fiction that can change the way you think about a subject – especially one you’re already familiar with – has got to be worth five stars.

Actually, The Martian is pretty much the perfect science fiction novel. It’s strong on all the essential elements – an edge-of-the-seat plot with an engaging cast of characters, combined with a genuine respect for, and understanding of, a whole range of scientific disciplines. And it avoids all those unnecessary trappings that spoil a lot of contemporary SF, such as complex, soap-operatic relationships and political/philosophical preachiness. The result – in spirit if not style – is reminiscent of the great Arthur C. Clarke. On the inside front cover of the edition I read, Stephen Baxter describes The Martian as ‘the best space disaster story since Clarke’s A Fall of Moondust’. That’s a spot-on comparison; in both novels there’s good science on almost every page – not out of gratuitous geekiness, but because when you’re stranded in a non-terrestrial environment, you really do need a lot of scientific literacy just to stay alive.

The basic storyline of The Martian – with Mark Watney accidentally stranded on the Red Planet when his fellow astronauts evacuate in the wake of a disastrous storm – will be familiar to anyone who’s seen Ridley Scott’s big-screen adaptation. However, while the movie sticks fairly faithfully to Weir’s plot, the novel’s best bits – Watney’s geeky sense of humour and limitless scientific ingenuity – are toned down to appeal to a wide, non-scientifically-educated audience. Fortunately, that wasn’t an issue when Weir was writing the novel – he originally published it in instalments on his blog, for a small audience of like-minded people. The result is a novel packed with science – not just to deal with the numerous crises Watney is assailed with, but all the everyday stuff as well. There’s physics, chemistry and biology, planetary science and orbital dynamics, electrical and electronic engineering, medical science – and probably a few others I’ve forgotten.

In a book that’s so overtly geeky, it’s inevitable that some readers are going to pore over it looking for scientific errors. There are a few of these – perhaps most significantly the huge storm that triggers the mission abort in the first place. In reality, the Martian atmosphere is too thin to support a devastating storm of this type – but without it, Weir wouldn’t have had a story to tell! Interestingly, there’s another small error at the start of the story, which Ridley Scott spotted and put right in the movie (probably the only instance of the film being more scientifically credible than the novel). In Weir’s version, the mission abort happens 6 days after the astronauts land on Mars – in the movie it’s 18 days. Why? Well, the reason is somewhat indecorous, so I won’t spell it out. Let’s just say that Watney needs an adequate supply of human-sourced fertiliser to grow his potatoes.


Paperback:  

Kindle:  
Using these links earns us commission at no cost to you


Review by Andrew May

Comments

Popular posts from this blog

Rakhat-Bi Abdyssagin Five Way Interview

Rakhat-Bi Abdyssagin (born in 1999) is a distinguished composer, concert pianist, music theorist and researcher. Three of his piano CDs have been released in Germany. He started his undergraduate degree at the age of 13 in Kazakhstan, and having completed three musical doctorates in prominent Italian music institutions at the age of 20, he has mastered advanced composition techniques. In 2024 he completed a PhD in music at the University of St Andrews / Royal Conservatoire of Scotland (researching timbre-texture co-ordinate in avant- garde music), and was awarded The Silver Medal of The Worshipful Company of Musicians, London. He has held visiting affiliations at the Universities of Oxford, Cambridge and UCL, and has been lecturing and giving talks internationally since the age of 13. His latest book is Quantum Mechanics and Avant Garde Music . What links quantum physics and avant-garde music? The entire book is devoted to this question. To put it briefly, there are many different link...

Should we question science?

I was surprised recently by something Simon Singh put on X about Sabine Hossenfelder. I have huge admiration for Simon, but I also have a lot of respect for Sabine. She has written two excellent books and has been helpful to me with a number of physics queries - she also had a really interesting blog, and has now become particularly successful with her science videos. This is where I'm afraid she lost me as audience, as I find video a very unsatisfactory medium to take in information - but I know it has mass appeal. This meant I was concerned by Simon's tweet (or whatever we are supposed to call posts on X) saying 'The Problem With Sabine Hossenfelder: if you are a fan of SH... then this is worth watching.' He was referencing a video from 'Professor Dave Explains' - I'm not familiar with Professor Dave (aka Dave Farina, who apparently isn't a professor, which is perhaps a bit unfortunate for someone calling out fakes), but his videos are popular and he...

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on...