Skip to main content

30 Second Maths – Richard Brown (Ed.) ***

I sometimes feel like I’m becoming a Victor Meldrew of science publishing. It happens when I can’t understand why a book exists. This is just such a book. It’s a lovely book. It feels nice to hold, it looks great, the design is superb. But I don’t understand what it’s for.
30 Second Maths (nice to see that ‘s’) is divided into chunks covering things like ‘Numbers and Counting’ and ‘Algebra and Abstraction’. Each chunk starts with a glossary and then is mainly two page spreads, the left text, the right a stylish illustration. The text is divided up into a number of bitettes, including the main ’30 seconds maths’ section, and sidebars including a ‘3 second sum’ and a ‘3 minute addition’. My biggest bugbear is the ‘3 second biography’ section which is just a list of names and dates.
This whole layout is design over readability. The headings don’t make any sense –  the ‘3 minute addition’ may be adding a little depth but it is a lot shorter than the ’30 second maths’ section. The main chunk of text is the sort of thing that would work well as a poster to read on the underground, but hardly seems worth the effort in a book. These are fragments in search of reconstruction – it’s like looking at a few shattered remains of a narrative.
The only time the book comes alive is when we get to a profile. Each of the chunks contains a profile of a mathematician – the likes of Pascal and al-Khwarizmi – and suddenly the whole thing comes alive. It’s two pages of flowing text, enough to be readable and interesting. These articles show what the rest of the book could have been like if it wasn’t dominated by the design.
Frustrating, then. A handsome book, but not a great popular science read.

Paperback 

Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

Rakhat-Bi Abdyssagin Five Way Interview

Rakhat-Bi Abdyssagin (born in 1999) is a distinguished composer, concert pianist, music theorist and researcher. Three of his piano CDs have been released in Germany. He started his undergraduate degree at the age of 13 in Kazakhstan, and having completed three musical doctorates in prominent Italian music institutions at the age of 20, he has mastered advanced composition techniques. In 2024 he completed a PhD in music at the University of St Andrews / Royal Conservatoire of Scotland (researching timbre-texture co-ordinate in avant- garde music), and was awarded The Silver Medal of The Worshipful Company of Musicians, London. He has held visiting affiliations at the Universities of Oxford, Cambridge and UCL, and has been lecturing and giving talks internationally since the age of 13. His latest book is Quantum Mechanics and Avant Garde Music . What links quantum physics and avant-garde music? The entire book is devoted to this question. To put it briefly, there are many different link...

Should we question science?

I was surprised recently by something Simon Singh put on X about Sabine Hossenfelder. I have huge admiration for Simon, but I also have a lot of respect for Sabine. She has written two excellent books and has been helpful to me with a number of physics queries - she also had a really interesting blog, and has now become particularly successful with her science videos. This is where I'm afraid she lost me as audience, as I find video a very unsatisfactory medium to take in information - but I know it has mass appeal. This meant I was concerned by Simon's tweet (or whatever we are supposed to call posts on X) saying 'The Problem With Sabine Hossenfelder: if you are a fan of SH... then this is worth watching.' He was referencing a video from 'Professor Dave Explains' - I'm not familiar with Professor Dave (aka Dave Farina, who apparently isn't a professor, which is perhaps a bit unfortunate for someone calling out fakes), but his videos are popular and he...

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on...