Skip to main content

The Music Instinct - Philip Ball ****

A remarkable book exploring the nature of music, how it's written and how it affects us. It was published back in 2010, but I've only just come across it, and it hasn't aged at all.

I suspect I am in many ways the perfect audience - I have sung for many years and read music, but have no formal musical training. At the same time, I find the science behind it all fascinating. However, Philip Ball's analysis is of far more than how music works physically and how it influences the brain - though that's all in here. To an extent this is a love letter to music. It shows us why music is so important to our lives. How it fulfils far more than simply to act as auditory cheesecake (as Steven Pinker described it) both in terms of the mechanics of music itself and the ways that it insinuates itself into so many spheres of activity.

I challenge anyone with an interest in music to read this book and not come away with new and interesting insights. If you are a music expert, the science side will fill in some gaps in your knowledge, while if you like music but haven't much of a clue what's going on under the bonnet, there's an opportunity to get into the guts of what's happening, whether your preferences are Mozart or Stravinsky, Charlie Parker or Pink Floyd. (Or all the above.)

The only reason the book doesn't get five stars is that I suspect that Ball allowed his enthusiasm for the subject to carry him away a little. The Music Instinct is a tad too long, and gives too much detail on some of the more esoteric aspects of musical theory. Even so, this was a book I was eager to come back to every time I put it down (which is rarely the case with a book of this length or intensity).

There are many examples in the book, shown in musical notation, but accompanied by samples to listen to, though unfortunately at the time of writing they are not available. [Addition: thanks to Philip Ball for pointing out that the samples are available on the US publisher's website here.] Although it's not always possible easily pinpoint the specific bit of the music referred to, the availability of streaming services such as Spotify and Apple Music meant that I was able to listen to unfamiliar pieces like Berg's Lyric Suite to get a better feel for what Ball was addressing.

Neither a music theory nor a science of music book (but with enough science to count as a popular science book), The Music Instinct pulls together the importance of music and its impact on human beings in an impressive fashion. There is no musical snobbishness here - it's for any music lover.

Paperback: 
Bookshop.org

  

Kindle 
Using these links earns us commission at no cost to you

Comments

Popular posts from this blog

The Laws of Thought - Tom Griffiths *****

In giving us a history of attempts to explain our thinking abilities, Tom Griffiths demonstrates an excellent ability to pitch information just right for the informed general reader.  We begin with Aristotelian logic and the way Boole and others transformed it into a kind of arithmetic before a first introduction of computing and theories of language. Griffiths covers a surprising amount of ground - we don't just get, for instance, the obvious figures of Turing, von Neumann and Shannon, but the interaction between the computing pioneers and those concerned with trying to understand the way we think - for example in the work of Jerome Bruner, of whom I confess I'd never heard.  This would prove to be the case with a whole host of people who have made interesting contributions to the understanding of human thought processes. Sometimes their theories were contradictory - this isn't an easy field to successfully observe - but always they were interesting. But for me, at least, ...

The Infinity Machine - Sebastian Mallaby ****

It's very quickly clear that Sebastian Mallaby is a huge Demis Hassabis fan - writing about the only child prodigy and teen genius ever who was also a nice, rounded personality. After a few chapters, though, things settle down (I'm reminded of Douglas Adams' description of the Hitchhiker's Guide to the Galaxy ) and we get a good, solid trip through the journey that gave us DeepMind, their AlphaGo and AlphaFold programs, the sudden explosion of competition on the AI front and thoughts on artificial general intelligence. Although Mallaby does occasionally still go into fan mode - reading this you would think that AlphaFold had successfully perfectly predicted the structure of every protein, where it is usually not sufficiently accurate for its results to have direct practical application - we get a real feel for the way this relatively unusual company was swiftly and successfully developed away from Silicon Valley. It's readable and gives an important understanding of...

Nanotechnology - Rahul Rao ****

There was a time when nanotechnology was both going to transform the world and wipe us out - a similar position to our view of AI today. On the positive transformation side there was K. Eric Drexler's visions in the 1986 Engines of Creation. Arguably as much science fiction as engineering possibilities, it predicted the ability to use vast armies of assemblers to put objects together from individual atoms.  On the negative side was the vision of grey goo, out of control nanotechnology consuming all in its path as it made more and more copies of itself. In 2003, for instance, the then Prince Charles made the headlines  when newspapers reported ‘The prince has raised the spectre of the “grey goo” catastrophe in which sub-microscopic machines designed to share intelligence and replicate themselves take over and devour the planet.’ These days the expectations have been eased down a notch or two. Where nanotechnology has succeeded, it has been with the likes of atom-thick mat...