Skip to main content

Cytonic (SF) - Brandon Sanderson ****

Updated for paperback
The third in Brandon Sanderson's Skyward series is perhaps not quite as impressive as the second, Starsight, but still packs in enough to make it a good read. Interestingly, where Starsight triumphed in terms of action sequences, the best bits of Cytonic for me were more talky and philosophical - but filled in huge gaps in exactly what is going on in the series, particular in terms of the nature and motivation of the mysterious delvers. Not as action packed, then, but more fulfilling in its revelations. 

Broadly we get three acts here - the first is a kind of mission quest across a Roger Dean-like (and surely Roger Dean-inspired) floating islands, the second involving some of the starfighter flying action that Sanderson does so well, and the third the talky bit, which had a touch of van Vogt about it, for SF oldies who might appreciate the reference. (Speaking of Roger Dean's art, the Barbie-like proportions of the central character seem to get more extreme with every cover, bearing in mind she's 5 foot 1 tall in the book.)

Pretty well all the action takes place not in the real universe, but the 'nowhere' that ships pass through when travelling faster than light. It's amusing that the up-front dedication (as opposed to the lengthy acknowledgements at the end) refers to getting physics guidance, as one thing this place lacks is good physics - specifically, the conservation of energy. It's very convenient to keep the plot line simple that no one in the nowhere needs to eat, for example, but you do wonder how they get their energy.

This non-physics underlines what is the most important thing about the Skyward series as it is developing - it's not really science fiction. Like the Star Wars films, it is a fairy story that makes use of SF tropes. That's not a bad thing - I loved the original Star Wars trilogy - but accepting this is essential to be able to make use of the right suspension of disbelief to read the book if you are into real science fiction. Sanderson even underlines this by making explicit referral to storytelling and inhabiting a story.

Once you pick up this idea, the parallels with Star Wars are strong. Not only in the central character from a hick location who becomes a space jockey and then a user of mental 'cytonic' abilities. But also, for example, in the way that all the aliens are just humans with a different shape (with the exception of the delvers, whose difference is here explained), in the juvenile aspects that are particularly strong in the first novel, not to mention in the irritatingly pompous-yet-cute entities. (Remember ewoks, anyone?)

I ought to stress that I am not putting this forward as a negative. Apart from finding the quest section a little episodic, the book was highly enjoyable to read (based on having read the previous titles - I wouldn't recommend it standalone), with some clever twists. And I am looking forward to the way Sanderson develops the new complexities added at the end of the book in the already promised sequel, Defiant. But don't expect sophisticated SF, because that's not what this book is.

Paperback:   
Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email for free here

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

Pagans (SF) - James Alistair Henry *****

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...

Amazing Worlds of Science Fiction and Science Fact: Keith Cooper ****

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...