Alastair Reynolds - Four Way Interview

Alastair Reynolds is a science fiction writer based in Wales. A former space scientist, he turned from studying pulsars and binary stars to writing fiction, and is now the author of twelve novels and over fifty short stories. He has been shortlisted for the Hugo and Arthur C. Clarke awards and has won the Seiun, Locus and Sidewise awards. His new book is Bone Silence.

Why SF?

It's the form that encompasses all other forms - infinitely adaptable and infinite expansive. It's brash, bold, colourful, disreputable, sneered at, and I love it unreservedly.

Why this book?

This is the conclusion of a trilogy I started a few years ago. It wraps up the adventures of two sisters, Adrana and Arafura, who get drawn into a world of space piracy and treasure hunting millions of years in the future, after our entire solar system has been dismantled and reforged into countless tiny planetoids.

What's next?

Another novel set against the background of my Revelation Space universe, which I've been developing for nearly 30 years. It's not a sequel to anything else but it does have some connective tissue linking it to other books and stories. It's set much nearer to the present than Bone Silence - a mere 800 years in the future.

What's exciting you at the moment?

The dawn of the space age. We're living in it now. When historians look back from a thousand years now, there'll be a few footnotes about Sputnik, Gagarin and Apollo but I don't think the real space age will have been considered to have started until well into the early 21st century.

Comments

Infinity Plus: Quintet (SF) - Keith Brooke (Ed.) ****

When I was younger there was nothing I liked better than a good, deep, dark (frankly, often downright miserable) science fiction story, and this collection delivers excellent modern examples that would have fit easily into a thoughtful if downbeat 70s collection such as the 'New Writing in SF' or the Interzone magazine of the day (one was actually first published in Interzone, in 1987 - the rest date between 1989 and 2010).

If I'm honest, I prefer more upbeat fiction now, but that doesn't stop me appreciating the quality of these five stories, put together by the SF website and publisher Infinity Plus. I've rarely seen a better contradiction of Margaret Atwood's putdown of science fiction as being limited to 'talking squids in outer space.' What we have here is pure character-driven storytelling with not a mention of space, spaceships, ray guns or aliens. It's the inner world, not the outer trappings of sci fi tropes that interest these writers.

On…

The Lost Planets - John Wenz **

Reading the first few lines of the introduction to this book caused a raised eyebrow. In 1600, it tells us, Giordano Bruno was burned at the stake 'for his radical views - that not only was the Sun just one of many stars, but those stars likely had planets around them as well.' Unfortunately, this bends the truth. Bruno was burned at the stake for holding opinions contrary to the Catholic faith - for conventional heretical beliefs amongst which his ideas on cosmology were trivial. This was an unfortunate start.

What John Wenz gives us is a people-driven story of the apparent early discovery of a number of planets orbiting other stars, made by Peter van de Kamp and his colleagues at Swarthmore College in America, most notably connected to a relatively obscure star called Barnard's star. Wenz is at his best dealing with personal conflict. The book really comes alive in a middle section where van de Kamp's discoveries are starting to be challenged. This chapter works wel…

Bone Silence (SF) - Alastair Reynolds *****

Of all the best modern SF writers, Alastair Reynolds is arguably the supreme successor to the writers of the golden age. He gives us wide-ranging vision, clever concepts and rollicking adventure - never more so than with his concluding book of the Ness sisters trilogy.

Neatly, after the first title, Revenger was written from the viewpoint of one sister, Arafura and the second, Shadow Captain, had the other sister Adrana as narrator, this book is in the third person. It neatly ties up many of the loose ends from the previous books, but also leaves vast scope for revelations to cover in the future if Reynolds decides to revisit this world (he comments in his acknowledgements 'I am, for the time being, done with the Ness sisters. Whether they are done with me remains to be seen.')

As with the previous books, the feel here is in some ways reminiscent of the excellent TV series Firefly, but with pirates rather than cowboys transported into a space setting. Set millions of years in…

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