Skip to main content

Dark Matter and the Dinosaurs - Lisa Randall ****

I did my PhD in galactic dynamics - which is an awkward subject when people want to know what its relevance to the 'real world' is. So I was excited when Clube and Napier's book The Cosmic Serpent came out, around the same time, because it provided me with a ready-made answer. It argued that the comets which occasionally crash into Earth with disastrous results - such as the extinction of the dinosaurs - are perturbed from their normal orbits by interactions with the large-scale structure of the galaxy.

I was reminded of this idea a few years ago when there was a flurry of media interest in Lisa Randall's "dark matter and the dinosaurs" conjecture. I was sufficiently enthusiastic about it to write an article on the subject for Fortean Times - though my enthusiasm didn't quite extend to purchasing her hardback book at the time. However, now that it's out in paperback I've remedied the situation - and I'm glad I did.

Dark matter is believed to exist in large quantities in the galaxy, but it's very difficult to detect because it only interacts with ordinary matter through gravity. Most astrophysicists assume it only interacts with itself in this way, too, which means it has no way of dissipating energy. Randall, on the other hand, posits that a subset of dark matter can somehow dissipate energy - causing it to collapse down into an extremely thin disc. The gravitational effect of this disc then produces a perturbing effect on cometary orbits. According to Randall, only this model - rather than one involving ordinary matter or 'conventional' dark matter - is capable of providing a perturbation of the necessary magnitude.

This is the kind of science I find fascinating - involving a long chain of argument from one observable phenomenon, via a whole bunch of unobservable things, to another, seemingly unrelated, observable effect. It's pure speculation, of course (and probably wrong) but at least it's logical. That's what sets it apart from the kind of superficially similar speculation you find in sci-fi movies and Velikovsky-style pseudoscience.

My only criticism of the book is that it's too long. It's almost three books in one, in fact. First there's a popular science primer on cosmology, dark matter and galactic structure. Then there's a second popular science book - this time on asteroids, comets, impact events and mass extinctions. Finally there's the detective story tracing the cause of these extinctions to an exotic new kind of dark matter. Personally, I only wanted to read the third book. Even with some essential scene-setting at the start, that could easily have been achieved in half the book's 412 pages. The result would have been more exciting and more unique - and I probably would have given it five stars instead of four.


Paperback:  

Kindle:  
Using these links earns us commission at no cost to you


Review by Andrew May

Comments

Popular posts from this blog

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on