Skip to main content

The Electronics Revolution - J. B. Williams ***

If I'm honest, The Electronics Revolution was a lot better than I thought it would be. it has 27 topic-based chapters plus intro and conclusion, covering the development of electronic technology - some of it where electronics was not always involved - in everything from radio and TV to recorded music and computing. There is a real danger with this kind of format that you end up with chapter after chapter with very little substance, simply recounting examples of a particular application. Just occasionally, there is a touch of this - for example in dealing with the Millennium bug. However, mostly what we get is much better.

What is impressive about the way that J. B. Williams (we are told nothing concerning the author, not even a first name) covers these topics is the detail of the early history that he or she digs out. So, for example, I thought I knew a fair amount about the origins of thermionic valves/vacuum tubes, but I hadn't seen before the story of Edison accidentally inventing the diode but not realising what he had done.

This kind of 'ooh, that's interesting' bit happens regularly, particularly in the early parts of the history of each technology. Whether it's Berliner developing the gramophone or the various contributors to the development of integrated circuits, Williams fills in snippets of detail that you don't often see. The book was also particularly interesting with a transatlantic viewpoint, as he/she frequently produces plots of the take-up of various technologies comparing the UK and the US - while in some cases the US has the obvious lead, in others it lagged significantly behind, often due to entrenched business interests.

The book is copyrighted 2017, but I do wonder if the text was written a few years earlier, as some later developments are missing. The section on video recording, for example, ends with DVDs and Blu-ray without mentioning PVRs... or for that matter, the way streaming has made recording far less necessary (this is also the case in the recorded music section).

The author's personality comes through occasionally in chapters that touch on societal impacts. What we get is a slightly old-fashioned and sceptical view. Perhaps the oddest of these chapters is one on 'Pop music: youth culture in the 1950s and 1960s' which feels as if it's written by someone who was already past their youth by that time. But the strongest feeling comes through at the end of the banking chapter (one of the examples where the US has lagged way behind). On internet banking we are told 'Some younger people took to this with enthusiasm but the growth of internet banking was slow.' Hardly the picture now. Almost all electronic contributions to banking are described as if they purely benefit the banks and aren't useful to the customers, being a sort of conspiracy to distance the consumer from actual money so they would borrow more. Once again, this section feels like it was written a while ago - there's no mention of contactless payments or pay-by-phone.

All in all, I felt I got a lot from this book, despite the author's foibles. I don't think it quite makes it as a general interest book, hence the 3 star rating, but if, like me, you have an interest in the early history of electronic technology, it's well worth getting hold of a copy.

Paperback:  


Kindle:  
Using these links earns us commission at no cost to you


Review by Brian Clegg

Comments

Popular posts from this blog

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana LenzovĆ”. T

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book