Skip to main content

The Electric Century - J. B. Williams ***

After reading J. B. Williams' The Electronics Revolution I couldn't resist also having a go at The Electric Century. The mysterious J. B. provides a similar mix of historical data and narrative, in this case for aspects of electricity, from generation to household products using it. Covering a total of 21 topics, plus intro and conclusion, Williams reminds us just how far the use of electricity has spread into our lives. As well as the obvious, we get, for example, the use in cars - not so much electric cars, but a requirement from day one in even the most basic petrol vehicle.

I say petrol, but Williams would say gasoline, as there is a really strange approach taken here. Although it covers both the US and the UK (and to an extent Europe), this is a very British book, giving far more detail on what happened in the UK than you would otherwise expect. Yet it's not only got American spelling it uses US words (so, for example, we hear of people in the UK using 'faucets' and riding on 'street cars'). And it goes even further to a remarkable extreme, giving historical UK prices in cents.

So we read, for instance, about the UK's 1916 Entertainment Tax and its impact on cinema seats. We are told 'It was quite severe with 2 cent (1 old pence) and 4 cent tickets attracting a 1 cent tax, and the common 4 cent to 12 cent range charge at 2 cents.' Okay, there is that small piece of context in the '1 old pence' but it's totally meaningless to give all those values in cents. This was, frankly, very irritating.

When it comes to the topics, Williams is very thorough, and as with the electronics book, he or she is at his or her best when giving us historical statistics and nuggets of information about, for example, the early fragmented electricity generation companies, or Marconi's work or the development of batteries. There tends not to be a huge amount of scientific content, not really, for example, describing how the various batteries work, just giving a quick overview of their makeup. Rather more so than the electronics book, there is quite a lot of material here that feels summary and that is stating the relatively obvious about, say, the impact of various households technologies. There is (also like the electronics book) a feeling this was written a few years ago - LED lighting, for example, is described as 'waiting in the wings' rather than being in active use.

Despite its flaws (almost because of them), I rather liked this book. As with its companion, this is because of those statistics and factoids. A graph of the very different rate of take-up of dishwashers in the US and UK, for example. Or the origin of the brand name Hotpoint in a company first making electric irons with... hot points. It's certainly not a book for everyone, but if you'd like to fill in some gaps in the history of technology, it's worth taking on.

Paperback:  

Kindle:  
Using these links earns us commission at no cost to you


Review by Brian Clegg

Comments

Popular posts from this blog

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book