Skip to main content

The Thing Itself (SF) - Adam Roberts *****

This latest book from the master of intellectual science fiction, Adam Roberts, is a mind-bending delight - and nothing like the combination of the title and the cover suggests (yet even this deception is not entirely straightforward). Anyone versed in the genre would instantly make the leap, with the combination of 'The Thing' and a polar setting, to the classic science fiction film The Thing - and indeed Roberts does make a passing bow to this in the opening of the book. However, the monster in the movie is about as crude as they come - here, what we experience as alien is both horrible and transfigured as a possible reality for the concept of god.

Another classic theme we meet in the book is SETI - the search for extraterrestrial intelligence - but, once again, Roberts subverts the standard genre concepts. Here what is alien is not just not-human, but involves a different perception of the universe itself.

The way that Roberts makes this near-impossible portrayal of something truly alien come to life is to invoke the work of Immanuel Kant, where the 'Thing Itself' in the title is not so much a monster in the manner of the movie, but Kant's concept of the 'Ding an sich', which seems to be rather like Plato's world outside the cave where we only perceive via the shadows we see in the cave. However, in Kant's case this is taken to an extreme, where human perception of aspects of the universe like space, time and causality are simply our veneer on the underlying 'thing itself' which could be perceived totally differently by an alien species.

If this all sounds a bit heavy, it can be in places. There certainly is an awful lot of exposition and discussion of Kant and the relevance of his ideas to physics - and the implications of finding a way of messing around with the 'modalities' we perceive like space and time. In fact, while I'm in warning mode, I ought to also say there's a lot of sex of various ilks, and the book has my least favourite structure for a novel, having a main storyline in alternate chapters with a series of apparently unconnected chapters set in other times and places. I always find with this kind of structure that I want to get back to the main thread and tend to skip-read the intervening chapters - not helped in this case by one of them being written in a Joyce-like stream of consciousness that I really couldn't be bothered with.

So, without doubt this book is sometimes hard work. But it repays the effort of reading because it is so cleverly written (those apparently unconnected chapters slot nicely in by the end), because nothing is what you expect it to be, and because the idea of taking Kant's metaphysical waffling and turning it into science fiction is absolutely genius, producing one of the few ever glimpses I've ever seen of something truly alien in science fiction. And part of it is set in Swindon. What more can you ask?

I ought to briefly say something about the 'science fiction' label. One of the reviews quoted on the back of the book says 'in the tradition of Swift, Orwell and Atwood', which smacks to me of someone in typical literary fashion considering that something is 'not really science fiction' if it is well written and clever. It's a bit like the way I was recently interviewed about science fiction by a journalist who said that something I referred to presumably wasn't science fiction because there were no ray guns and spaceships. I am absolutely sure that Adam Roberts would proudly say that this book really is science fiction, and so he should, because this is classic SF material.

I can say without any doubt that this by far the best science fiction book I've read all year. I can also say that it won't be to everyone's taste - so don't blame me if you don't like it - but to some it will be a revelation of what science fiction can be. This is the kind of science fiction that should be winning the Booker Prize. Simple as that.


Paperback 

Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Genetic Book of the Dead: Richard Dawkins ****

When someone came up with the title for this book they were probably thinking deep cultural echoes - I suspect I'm not the only Robert Rankin fan in whom it raised a smile instead, thinking of The Suburban Book of the Dead . That aside, this is a glossy and engaging book showing how physical makeup (phenotype), behaviour and more tell us about the past, with the messenger being (inevitably, this being Richard Dawkins) the genes. Worthy of comment straight away are the illustrations - this is one of the best illustrated science books I've ever come across. Generally illustrations are either an afterthought, or the book is heavily illustrated and the text is really just an accompaniment to the pictures. Here the full colour images tie in directly to the text. They are not asides, but are 'read' with the text by placing them strategically so the picture is directly with the text that refers to it. Many are photographs, though some are effective paintings by Jana Lenzová. T

David Spiegelhalter Five Way interview

Professor Sir David Spiegelhalter FRS OBE is Emeritus Professor of Statistics in the Centre for Mathematical Sciences at the University of Cambridge. He was previously Chair of the Winton Centre for Risk and Evidence Communication and has presented the BBC4 documentaries Tails you Win: the Science of Chance, the award-winning Climate Change by Numbers. His bestselling book, The Art of Statistics , was published in March 2019. He was knighted in 2014 for services to medical statistics, was President of the Royal Statistical Society (2017-2018), and became a Non-Executive Director of the UK Statistics Authority in 2020. His latest book is The Art of Uncertainty . Why probability? because I have been fascinated by the idea of probability, and what it might be, for over 50 years. Why is the ‘P’ word missing from the title? That's a good question.  Partly so as not to make it sound like a technical book, but also because I did not want to give the impression that it was yet another book

Everything is Predictable - Tom Chivers *****

There's a stereotype of computer users: Mac users are creative and cool, while PC users are businesslike and unimaginative. Less well-known is that the world of statistics has an equivalent division. Bayesians are the Mac users of the stats world, where frequentists are the PC people. This book sets out to show why Bayesians are not just cool, but also mostly right. Tom Chivers does an excellent job of giving us some historical background, then dives into two key aspects of the use of statistics. These are in science, where the standard approach is frequentist and Bayes only creeps into a few specific applications, such as the accuracy of medical tests, and in decision theory where Bayes is dominant. If this all sounds very dry and unexciting, it's quite the reverse. I admit, I love probability and statistics, and I am something of a closet Bayesian*), but Chivers' light and entertaining style means that what could have been the mathematical equivalent of debating angels on