Skip to main content

A Mind of Its Own – Cordelia Fine *****

It might seem an obvious truism that our brains have minds of their own – isn’t that what brains do, have minds? – but Cordelia Fine has an entirely different intention here. What her excellent little book reveals in embarrassing detail is just how much our brains get away with. Brains are great at doing things that our conscious minds either aren’t aware of, or wish didn’t happen.
Along the way we are introduced to the vain brain, the emotional brain, the pigheaded brain, the secretive brain and the bigoted brain. Each section picks a particular way that our brains can operate effectively separate from our conscious will – situations where the brain is effectively going its own sweet way, whatever you think is happening, something that would have Mr Spock turning in his Vulcan grave. All these behaviours are illustrated with psychological experiments, often involving tricking the subjects – as Fine says there are two morals to be drawn. “One, never trust a social psychologist. Two, never trust your brain.”
To see the sort of behaviour that emerges, lets take the first section, the vain brain. Here Fine explores just how the brain takes Monty Python’s advice and always looks on the bright side of life. Our brains are consistently good at playing up the positives and playing down the negatives. For example, pretty well everyone is sure that they are a better than average driver (or would be if they had a licence) – yet simple statistics makes it obvious that nearly half the population has to be worse than average. As Fine points out, we have a term for people whose brains aren’t very good at making things seem better than they really are. They’re clinically depressed.
What a lot of A Mind of Its Own’s conclusions come down to is that our brains are superbly good at editing. They have to be. Just take the simple act of seeing – our eye/brain combo doesn’t work like a video camera. Instead the brain sorts out the input from the eyes how it expects things to be. Otherwise we wouldn’t be able to see fluid motion in moving pictures, for instance (forget all that stuff someone told you about persistence of vision – it’s rubbish). However, as Fine shows us, this editing, while essential, can also lead the brain to do things we really don’t want it to do, deceiving us about ourselves and the world around us.
It’s probable that Fine’s very engaging and chatty style, bringing in her young children, her husband’s habits of keeping control of the pens in the house and other details, will delight many readers, though it won’t appeal to absolutely everyone. But if you like a book that communicates like a person, Fine has got it just right. Although she is an academic, she writes like a human being (a surprisingly rare combination – the stereotype (we meet stereotypes in “the bigoted brain”) is all too often true). All in all this short and enjoyable book is a must for anyone who wants to get a better understanding of what their brain gets up to when they aren’t watching it. First class.

Paperback:  
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

Pagans (SF) - James Alistair Henry *****

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...

Amazing Worlds of Science Fiction and Science Fact: Keith Cooper ****

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...