Skip to main content

The Science of Doctor Who – Paul Parsons ****

Science fiction is the flirty, flighty, naughty cousin of popular science. Although purists will tell you the only decent SF is in books, there have been some exceptions on TV, and two shows stand out like beacons. One is Star Trek, for the way it has become an integral part of modern culture. The other is Doctor Who. This British programme has driven its way ahead of the rest both because of its longevity – in 2006 it was about to start a new season 43 years after the first episode, which was broadcast the day after Kennedy’s assassination – and because of its refreshing originality. This hasn’t always been evident in its long run, but was clearly there when it captured audiences back in 1963 as something new and different, and has been evident again in its latest incarnation, started in 2005, where it took on not only modern production values, but has also inherited the slick wit of Buffy the Vampire Slayer – as is obvious from the delightful quotes in Paul Parson’s book.
I have to take the risky step of arguing with science fiction’s very own sage, Arthur C. Clarke, who wrote the introduction to the book. He suggests that Dr Who might really be considered fantasy rather science fiction, as some of the “science” is very far fetched. I think this misses the point – much science fiction, particularly TV science fiction, rather skimps over elements of the science: in the end, important though the science is, the plot must generally come first. (James Blish famously wrote some SF that was purely idea driven, such as his short story Beep, and wasn’t alone in this, but most popular SF needs a good plot.) The distinction between SF and fantasy can’t really be “is it likely?” or you rule out faster than light travel, matter transmitters, time travel, interstellar travel – practically everything that makes SF interesting. Instead the distinction has to be something like “are any special capabilities intended to be based on science and techology or something else?” – and on the whole Dr Who remains firmly in science fiction.
This is born out when you get into Parsons’ book proper. He may occasionally have to stretch the improbables a long way, but it’s only rarely that he has to announce something is out-and-out wrong rather than very, very unlikely. Whether it’s time travel itself, the Tardis being bigger on the inside than the outside, or the Doctor’s two hearts, Parsons can deliver an answer. Along the way as we meet wild aliens, strange robots and even a virtual reality world called the Matrix (years before the feature film of the same name), Parsons keeps the reader intrigued and entertained. You do have to have seen Doctor Who to get the most out of this book, but certainly don’t have to be a fan. If you haven’t come across the most recent incarnation of the show (at the time of writing, those featuring Christopher Eccleston and David Tennant), it’s worth trying to catch an episode or two, as the book makes frequent reference to the newer episodes (with good reason).
This isn’t the first “science of Doctor Who” book. Michael White got there first with his much more intriguingly titled A Teaspoon and An Open Mind. But White’s book had significant flaws. In particular, it failed to tie in closely enough to Dr Who itself. It took a basic concept from the show – time travel, say – then went off on a long riff on time travel. This misses the point of the “Science of” genre. We don’t want to know all there is to know about time travel, we want to know how the Tardis, the Doctor’s travel device, could work. Where Michael White failed, Paul Parsons delivers much more effectively. Although he may just occasionally go too far, going into the details of too many obscure aliens for all but the most ardent fan, mostly he gets the balance right. The science is good, the fit to Doctor Who is good and the writing is good – the result is one of the better ventures into the concept of “Science of”. If you like Doctor Who (whether a traditionalist or one of the army of new fans from the latest version) or just want to explore some weird and wonderful science, this is a must-have.

Paperback:  
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Decline and Fall of the Human Empire - Henry Gee ****

In his last book, Henry Gee impressed with his A (Very) Short History of Life on Earth - this time he zooms in on one very specific aspect of life on Earth - humans - and gives us not just a history, but a prediction of the future - our extinction. The book starts with an entertaining prologue, to an extent bemoaning our obsession with dinosaurs, a story that leads, inexorably towards extinction. This is a fate, Gee points out, that will occur for every species, including our own. We then cover three potential stages of the rise and fall of humanity (the book's title is purposely modelled on Gibbon) - Rise, Fall and Escape. Gee's speciality is palaeontology and in the first section he takes us back to explore as much as we can know from the extremely patchy fossil record of the origins of the human family, the genus Homo and the eventual dominance of Homo sapiens , pushing out any remaining members of other closely related species. As we move onto the Fall section, Gee gives ...

Pagans (SF) - James Alistair Henry *****

There's a fascinating sub-genre of science fiction known as alternate history. The idea is that at some point in the past, history diverged from reality, resulting in a different present. Perhaps the most acclaimed of these books is Kingsley Amis's The Alteration , set in a modern England where there had not been a reformation - but James Alistair Henry arguably does even better by giving us a present where Britain is a third world country, still divided between Celts in the west and Saxons in the East. Neither the Normans nor Christianity have any significant impact. In itself this is a clever idea, but what makes it absolutely excellent is mixing in a police procedural murder mystery, where the investigation is being undertaken by a Celtic DI, Drustan, who has to work in London alongside Aedith, a Saxon reeve of equivalent rank, who also happens to be daughter of the Earl of Mercia. While you could argue about a few historical aspects, it's effectively done and has a plot...

Amazing Worlds of Science Fiction and Science Fact: Keith Cooper ****

There's something appealing (for a reader like me) about a book that brings together science fiction and science fact. I had assumed that the 'Amazing Worlds' part of the title suggested a general overview of the interaction between the two, but Keith Cooper is being literal. This is an examination of exoplanets (planets that orbit a different star to the Sun) as pictured in science fiction and in our best current science, bearing in mind this is a field that is still in the early phases of development. It becomes obvious early on that Cooper, who is a science journalist in his day job, knows his stuff on the fiction side as well as the current science. Of course he brings in the well-known TV and movie tropes (we get a huge amount on Star Trek ), not to mention the likes of Dune, but his coverage of written science fiction goes into much wider picture. He also has consulted some well-known contemporary SF writers such as Alastair Reynolds and Paul McAuley, not just scient...