Skip to main content

On the Shores of Titan's Farthest Sea (SF) - Michael Carroll ***

On the Shores forms part of a major initiative from German publisher Springer to produce books that cross over between the pure entertainment of science fiction and the more informative (if, hopefully still entertaining) genre of popular science.

I was initially somewhat baffled by this self-styled 'scientific novel' as it seemed nothing more than an old-fashioned (more on that in a moment) hard science SF novel. Then I spotted the appendix that gives the 'science behind the fiction'. This is certainly one way to get round the difficulty of incorporating too much technical exposition in a novel (one of the few examples that manages put learning in the text without making the fiction stodgy is the recent L. A. Math), but the 'science bit at the end' approach didn't work for me because the 'science part' had none of the readability of good popular science - it felt more like encyclopaedia content. I suspect many readers would give it a miss. It also stretched credibility somewhat in trying to ascribe too much science to the story - the weakest part of the plot featured unlikely mass delusions (psychically triggered at that) and to try to give this a scientific basis felt like the author was digging too hard.

So, really, what we have here is a pretty straightforward science fiction story. First the good news. This gets quite gripping about three quarters of the way through when there's a dering-do rescue attempt. And the whole thing feels quite like an Asimov story (if Asimov had realised he could have more strong female characters) - which any SF reader will realise is hardly an insult. This means that what we get is a heavily plot-driven story with genuinely clever ideas and mostly realistic science (though like all SF it sometimes has to distort the science for plot purposes, something that could have been usefully explored more in the appendix).

There is, however, bad news from this assessment too. As is common in Asimov's writing, the characters are two dimensional and the writing is businesslike but not exactly great. As a standalone novel, On the Shores would have been easily up to standard in the 50s, but when set against modern, sophisticated SF like Iain M. Banks or Adam Roberts, the writing style feels dated.

The nail in the coffin for this book is that Springer is treating it like an academic book, rather than fiction. This comes across in both the format (large pages with copyright details at the start of each chapter), and the pricing, which is twice what you'd expect to pay for a paperback SF novel (Academics may have free access to the ebook from Springer ebook deals). Sadly, then, the book is not going to be very popular as a straight piece of fiction, but equally doesn't do the job of popular science in the form of fiction. It's a great aim, but it has proved elusively difficult to make real.


Paperback 

Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Antigravity Enigma - Andrew May ****

Antigravity - the ability to overcome the pull of gravity - has been a fantasy for thousands of years and subject to more scientific (if impractical) fictional representation since H. G. Wells came up with cavorite in The First Men in the Moon . But is it plausible scientifically?  Andrew May does a good job of pulling together three ways of looking at our love affair with antigravity (and the related concept of cancelling inertia) - in science fiction, in physics and in pseudoscience and crankery. As May points out, science fiction is an important starting point as the concept was deployed there well before we had a good enough understanding of gravity to make any sensible scientific stabs at the idea (even though, for instance, Michael Faraday did unsuccessfully experiment with a possible interaction between gravity and electromagnetism). We then get onto the science itself, noting the potential impact on any ideas of antigravity that come from the move from a Newtonian view of a...

The World as We Know It - Peter Dear ***

History professor Peter Dear gives us a detailed and reasoned coverage of the development of science as a concept from its origins as natural philosophy, covering the years from the eighteenth to the twentieth century. inclusive If that sounds a little dry, frankly, it is. But if you don't mind a very academic approach, it is certainly interesting. Obviously a major theme running through is the move from largely gentleman natural philosophers (with both implications of that word 'gentleman') to professional academic scientists. What started with clubs for relatively well off men with an interest, when universities did not stray far beyond what was included in mathematics (astronomy, for instance), would become a very different beast. The main scientific subjects that Dear covers are physics and biology - we get, for instance, a lot on the gradual move away from a purely mechanical views of physics - the reason Newton's 'action at a distance' gravity caused such ...

It's On You - Nick Chater and George Loewenstein *****

Going on the cover you might think this was a political polemic - and admittedly there's an element of that - but the reason it's so good is quite different. It shows how behavioural economics and social psychology have led us astray by putting the focus way too much on individuals. A particular target is the concept of nudges which (as described in Brainjacking ) have been hugely over-rated. But overall the key problem ties to another psychological concept: framing. Huge kudos to both Nick Chater and George Loewenstein - a behavioural scientist and an economics and psychology professor - for having the guts to take on the flaws in their own earlier work and that of colleagues, because they make clear just how limited and potentially dangerous is the belief that individuals changing their behaviour can solve large-scale problems. The main thesis of the book is that there are two ways to approach the major problems we face - an 'i-frame' where we focus on the individual ...