Skip to main content

Genius – a very short introduction – Andrew Robinson ***

One of OUP’s pocket series ‘a very short introduction’ (books with a cover design that says ‘dull’), this title takes on the thorny topic of genius. It’s hard to say whether or not this subject is science at all. There is certainly some science in the book – when looking at studies of the way the brain works and the nature of intelligence – but the concept of ‘genius’ itself is such a fuzzy one that is probably more a media label than anything meaningful.
Apart from anything else, as Andrew Robinson makes clear, we can’t agree on what genius is, nor on who is a genius. There are a few exceptions – few people could argue about Newton or Einstein – but in many other cases the validity of the claim is open to question. What I found fascinating was that Robinson says that in some cases genius is disputed – for example Picasso – while in others it’s undisputed – for example Mozart. I was surprised that Picasso is questioned while at the same time (I know I’m in a minority) I really don’t see what the fuss is about Mozart, whose music seems mostly trivial to me. As another example of the subjectivity of this label, Robinson constantly refers to Virginia Woolf as a genius. What? Is he serious? More celebrity than genius I would have said.
The more I read this book, the more I thought that this thing being labelled genius is an entirely different concept between (say) science, art & music. However, for some reason this difference doesn’t come though in the text until very late in the book, and when Robinson does cover it, what he says is not very satisfactory. He never explores the thesis, for example, that art only has a value that is set by fashion – genius in art is inevitably going to be subjective – while science can have an objective assessment of value that makes it much easier to pinpoint genius (even if the collective nature of scientific work makes it harder to assign this genius to an individual).
All in all it’s a good little book in that makes you think about the nature of genius – but an irritating topic, because in the end it’s a subject that is so arbitrary. A work of genius? Probably not.

Paperback:  
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

The Antigravity Enigma - Andrew May ****

Antigravity - the ability to overcome the pull of gravity - has been a fantasy for thousands of years and subject to more scientific (if impractical) fictional representation since H. G. Wells came up with cavorite in The First Men in the Moon . But is it plausible scientifically?  Andrew May does a good job of pulling together three ways of looking at our love affair with antigravity (and the related concept of cancelling inertia) - in science fiction, in physics and in pseudoscience and crankery. As May points out, science fiction is an important starting point as the concept was deployed there well before we had a good enough understanding of gravity to make any sensible scientific stabs at the idea (even though, for instance, Michael Faraday did unsuccessfully experiment with a possible interaction between gravity and electromagnetism). We then get onto the science itself, noting the potential impact on any ideas of antigravity that come from the move from a Newtonian view of a...

The World as We Know It - Peter Dear ***

History professor Peter Dear gives us a detailed and reasoned coverage of the development of science as a concept from its origins as natural philosophy, covering the years from the eighteenth to the twentieth century. inclusive If that sounds a little dry, frankly, it is. But if you don't mind a very academic approach, it is certainly interesting. Obviously a major theme running through is the move from largely gentleman natural philosophers (with both implications of that word 'gentleman') to professional academic scientists. What started with clubs for relatively well off men with an interest, when universities did not stray far beyond what was included in mathematics (astronomy, for instance), would become a very different beast. The main scientific subjects that Dear covers are physics and biology - we get, for instance, a lot on the gradual move away from a purely mechanical views of physics - the reason Newton's 'action at a distance' gravity caused such ...

It's On You - Nick Chater and George Loewenstein *****

Going on the cover you might think this was a political polemic - and admittedly there's an element of that - but the reason it's so good is quite different. It shows how behavioural economics and social psychology have led us astray by putting the focus way too much on individuals. A particular target is the concept of nudges which (as described in Brainjacking ) have been hugely over-rated. But overall the key problem ties to another psychological concept: framing. Huge kudos to both Nick Chater and George Loewenstein - a behavioural scientist and an economics and psychology professor - for having the guts to take on the flaws in their own earlier work and that of colleagues, because they make clear just how limited and potentially dangerous is the belief that individuals changing their behaviour can solve large-scale problems. The main thesis of the book is that there are two ways to approach the major problems we face - an 'i-frame' where we focus on the individual ...