Skip to main content

Lost Solace (SF) - Karl Drinkwater ****

There was a time when you would be hard pushed to find a science fiction novel with a female main character. As I noted when re-reading Asimov's Foundation, in 189 pages, women appear on just five pages - and they're very much supporting cast. But the majority of new SF novels I've read this year have had female main characters, including The Real Town Murders, Austral and Andy Weir's upcoming Artemis.

That's certainly the case in Karl Drinkwater's engaging Lost Solace. It's really a two hander between military renegade Opal and her ship's AI, Clarissa. There are a few male characters, but they are either non-speaking troops she battles or a major with whom she has a couple of short video conversations. That summary gives an unfair military flavour to the whole thing - in practice, the majority of the action, which is practically non-stop throughout the book, involves Opal trying to survive as she explores a mysterious, apparently abandoned liner in a decaying orbit around a neutron star.

The whole book takes place in real time, which adds to the claustrophobic tension of Opal's adventures, mostly while cooped up in an armoured space suit. It's pretty well impossible not to relate to Opal's character, even though she is apparently enough of a psychopath to be unfazed by killing hundreds of people to achieve her goal. The ship she explores is distinctly weird with some elegantly nasty touches thrown in by Drinkwater - and Clarissa brings in a really interesting AI side to the whole thing.

The only real downside with the setting and the real time action is that Opal has very little interaction with other people, which is usually the central core of a novel. There are also a few oddities - she (and Clarissa) take an awfully long time to realise what's pretty obvious about the abandoned liner, and the ending feels a little rushed and too much like a lead on to the next book, rather than giving much sense of conclusion.

Despite that, it was a book which I read with enthusiasm, wanting to find out what comes next, involving a good deal of atmosphere, particularly on the liner, plus some satisfying David vs Goliath work. Assuming this is the first of a series, I await the next with interest.

Paperback:  

Kindle:  


Review by Brian Clegg

Comments

Popular posts from this blog

The Art of Statistics - David Spiegelhalter *****

Statistics have a huge impact on us - we are bombarded with them in the news, they are essential to medical trials, fundamental science, some court cases and far more. Yet statistics is also a subject than many struggle to deal with (especially when the coupled subject of probability rears its head). Most of us just aren't equipped to understand what we're being told, or to question it when the statistics are dodgy. What David Spiegelhalter does here is provide a very thorough introductory grounding in statistics without making use of mathematical formulae*. And it's remarkable.

What will probably surprise some who have some training in statistics, particularly if (like mine) it's on the old side, is that probability doesn't come into the book until page 205. Spiegelhalter argues that as probability is the hardest aspect for us to get an intuitive feel for, this makes a lot of sense - and I think he's right. That doesn't mean that he doesn't cover all …

The Best of R. A. Lafferty (SF) – R. A. Lafferty ****

Throughout my high school years (1973–76) I carefully kept a list of all the science fiction I read. I’ve just dug it out, and it contains no fewer than 1,291 entries – almost all short stories I found in various SF magazines and multi-author anthologies. Right on the first page, the sixth item is ‘Thus We Frustrate Charlemagne’ by R. A. Lafferty, and his name appears another 32 times before the end of the list. This isn’t a peculiarity of my own tastes. Short stories were much more popular in those days than they are today, and any serious SF fan would have encountered Lafferty – a prolific writer of short fiction – in the same places I did.

But times change, and this Gollancz Masterworks volume has a quote from the Guardian on the back describing Lafferty as ‘the most important science fiction writer you’ve never heard of’. Hopefully this newly assembled collection will go some way to remedying that situation. It contains 22 short stories, mostly dating from the 1960s and 70s, each w…

David Beerling - Four Way Interview

David Beerling is the Sorby Professor of Natural Sciences, and Director of the Leverhulme Centre for Climate Change Mitigation at the University of Sheffield. His book The Emerald Planet (OUP, 2007) formed the basis of a major 3-part BBC TV series ‘How to Grow a Planet’. His latest title is Making Eden.

Why science?

I come from a non-academic background. None of my family, past or present, went to university, which may explain the following. In the final year of my degree in biological sciences at the University of Wales, Cardiff (around 1986), we all participated in a field course in mid-Wales, and I experienced an epiphany. I was undertaking a small research project on the population dynamics of bullheads (Cotus gobio), a common small freshwater fish, with a charismatic distinguished professor, and Fellow of the Royal Society in London. Under his guidance, I discovered the process of learning how nature works through the application of the scientific method. It was the most exciting t…