Skip to main content

Magdalena Zernicka-Goetz - Four Way Interview

Photo by John Cairns
Magdalena Zernicka-Goetz is Professor of Mammalian Development and Stem Cell Biology at the University of Cambridge, and Bren Professor in Biology and Bioengineering at Caltech. She has published over 150 papers and book chapters in top scientific journals and her work on embryos won the people’s vote for scientific breakthrough of the year in Science magazine. Her new book, co-authored with Roger Highfield, is The Dance of Life: symmetry, cells and how we become human.

Why science?

I fell in love with biology when I was a child because I loved doing experiments and seeing what happened. It was fascinating and enormous fun. I also fell in love with art at the same time. Art and science are both based on experiments and uncovering new paths to understand the world and ourselves. Why do we think the way we think? Where do our feelings come from? Is the 'right' answer always right? Where do we come from? How do parts of our body communicate with each other?  What is the nature of time? How do our cells measure time? Can I understand it?

I was raised in a laboratory so everyone around me was doing an experiment and asking questions.  But my passion for art is more difficult to track. It might have something to do with how I was dyslexic and yet wanted to communicate with people around me and so I started to express myself intuitively through art – mainly through abstract art and design. 

Science and art are both imaginative and creative. They allow me to find the miraculous in everyday life.

Why this book?

There are many excellent popular science books. Roger Highfield and I wanted The Dance of Life to be different and to cover not only the science of how our life starts and how we build ourselves but also to be a human story, my story.  We wanted our book to be an intimate and personal account of scientific discovery.  We wanted it to talk about conflicting thoughts – devotion but also sacrifice in pursuit of science; friendship but also competition, which both dominate scientific life.  We also wanted to show the joy of discovery. 

It was a challenge to write this book as we wrote it together – a man and a woman with different life experiences, with different schedules, with our brains working differently but we both share a passion for science, life and truth.  We were talking about some of the most complex and deepest feelings in my life and, at the same time, the most profound topics in biology, from the life of an embryo to stem cell research and the nature of our own origins. We wanted to explore what we currently understand and the limits of that understanding. We wanted to be honest in showing the life of a woman in science and the life of an immigrant. I was both and it nearly broke me at times. 

What’s next?

Recently I restarted my life. I moved my scientific and personal family from Cambridge (UK) to California. This last year has already been an amazing new challenge and experience. I hope some enlightenment will come from this new chapter along with the pure joy of discovery. 

I would consider writing a second book to expand on some of the ideas in The Dance of Life to show that we should be more open and prepared to contra polarizing views about science and woman especially in science. To me, science and art are about openness, creativity, a deep way of thinking and joy that brings happiness. 

What’s exciting you at the moment?

My research on combining biology with engineering.  Creating embryo models from stem cells – building synthetic embryos one cell at a time - and learning answers to all of the questions that have puzzled me since I was a little girl.

In LA, new collaborations allow me to bring new techniques in microscopy and imaging to let us see stem cells on their complex journey in embryo development, creating beautiful images that blend art with science.  Roger and I had always planned to bring even more art into The Dance of Life

Every week brings a new discovery in science. If you look into the last issue of journal Nature, you can see an image from our latest paper, on an amazing mechanism that embryos develop in the second week of their life. To allow them to grow, they make holes in a membrane ‘corset‘ that originally holds them tight. How ingenious! It is great time to write about breaking boundaries, just as embryos do. 



Comments

Popular posts from this blog

Patricia Fara - Four Way Interview

Patricia Fara lectures in the history of science at Cambridge University, where she is a Fellow of Clare College. She was the President of the British Society for the History of Science (2016-18) and her prize-winning book, Science: A Four Thousand Year History (OUP, 2009), has been translated into nine languages. An experienced public lecturer, Patricia Fara appears regularly in TV documentaries and radio programmes. She also contributes articles and reviews to many popular magazines and journals, including History Today, BBC History, New Scientist, Nature and the Times Literary SupplementHer new book is Erasmus Darwin.

Why history of science?
I read physics at university, but half-way through the course I realised that had been a big mistake. Although I relished the intellectual challenge, I was bored by the long hours spent lining up recalcitrant instruments in dusty laboratories. Why was nobody encouraging us to think about the big questions – What is gravity? Does quantum mechani…

The Idea of the Brain: Matthew Cobb *****

Matthew Cobb is one of those people that you can’t help but admire but also secretly hate just a little bit for being so awesome. He is professor for zoology at the University of Manchester with a sizable teaching load that he apparently masters with consummate skill. He’s a scientific researcher, who researches the sense of smell of fruit fly maggots; I kid you not!  He’s also an attentive and loving family father but he still finds time and energy to write brilliant history of science books, three to date. His first, The Egg and Sperm Race, describes the search for the secret of human reproduction in the seventeenth and eighteenth centuries and is one of my favourite history of science books, on the period. His second, Life’s Greatest Secret is a monster, both in scope and detail, description of the hunt to decipher the structure and function of DNA that along the way demolishes a whole boatload of modern history of science myths. The most recent, and the subject of this review, is

The Search for Life on Mars - Elizabeth Howell and Nicholas Booth ***

From the book’s enticing subtitle, ‘The Greatest Scientific Detective Story of All Time’, I was expecting something rather different. I thought the authors would kick off by introducing the suspects (the various forms life might take on Mars, either now or in the past) and the kind of telltale traces they might leave, followed by a chronological account of the detectives (i.e. scientists) searching for those traces, ruling out certain suspects and focusing on others, turning up unexpected new clues, and so on. But the book is nothing like that. Continuing with the fiction analogy, this isn’t a novel so much as a collection of short stories – eleven self-contained chapters, each with its own set of protagonists, suspects and clues.

Some of the chapters work better than others. I found the first three – which despite their early placement cover NASA’s most recent Mars missions – the most irritating. For one thing, they unfold in a way that’s at odds with the cerebral ‘detective story’ na…