Skip to main content

Karl Drinkwater - Four Way Interview

Karl Drinkwater is originally from Manchester, but has lived in Wales half his life. He is a full-time author, edits fiction for other writers and was a professional librarian for over twenty-five years. He has degrees in English, Classics and Information Science. When he isn't writing, he loves exercise, guitars, computer and board games, the natural environment, animals, social justice, cake and zombies - not necessarily in that order. His latest novel is Lost Solace.

Why science fiction?

My favourite books have always been any form of speculative fiction. As a child I began with ghost stories, which were the first books to make me completely forget I was reading. By my teenage years I was obsessed with fantasy, science fiction, and horror. Although I read literary and contemporary books, non-fiction, historical works, classics and so on, it is speculative fiction that I return to when I want escape and wonder. When I read reviews of my last book, the fast-paced novella Harvest Festival, I was surprised that a few reviewers called it science fiction. I never intended that. To me it is suspense, horror and action. But it made me realise that it was time to write a science fiction story. On the one hand I wanted to be able to look into issues of identity and fluid personality (which is how the Clarissa thread evolved), but I also wanted to take the tempo and mood of Harvest Festival and run with it across a longer tale. That required a scenario that involved a need for movement, quick thinking, and a goal that may not be obtainable, but with consequences for failure that don’t bear thinking about. Everything grew from that kernel.

Why this book?

Last year I took part in NaNoWriMo (National Novel Writing Month), and wrote drafts of a collection of contemporary stories exploring love and relationships. Towards the end of the month the book was finished, but I hadn’t achieved my writing goal – I needed another few thousand words. I decided to reward myself for my hard work, and write something that I thought would be a fun short story. I began Lost Solace. However, the book didn’t end when November ended – the story kept growing and changing. What began as a short story turned into a novel; the original male protagonist mutated from some kind of shallow Indiana Jones who plundered Lost Ships into Opal, on her more personal quest; the armoured war droid companion of my draft notes became a hi-tech suit and spaceship, backed up by Clarissa’s intelligence and a truly-forming relationship. I have never had so much fun writing. I would sit down each day, skim over some ideas for where the story might go, but then let it change direction whenever it needed to. It was a joy to write and re-read, and as a result that project took over from the short stories, which are still sat, unedited, a year later!

What’s next?

I tend to have a lot of projects on the go. In 2018 I’ll be working on a new edition of one of my literary/relationship novels (2000 Tunes), which is a homage to Manchester and its music and people, set in the year 2000, when the main characters are determined to change their lives. I will get the NaNoWriMo short story collection finished and work with my editors to determine which stories to keep and which to throw away (I have around 120,000 words of short stories – only the best half will escape the cutting room floor). I will also get the first draft of my next book written. It will almost certainly be a sequel. If Lost Solace does very well then I will continue Opal’s tale without too many delays. However, two of my other books have been popular and fans often ask me for sequels (Turner and Harvest Festival) – so those are other options. Beyond that I have six other works plotted out and just waiting for me to get down to writing their first drafts. Two of those are sci-fi, three are horror, and one is literary/contemporary.

What’s exciting you at the moment?

Everything about my fiction, especially seeing how each book is received, and writing the new ones. Usually I keep a folder for each future work and as I ponder ideas over a couple of years I keep adding to it – so by the time I come to write my first draft I have no shortage of characters, story elements, locations, ideas, scenes, snippets of dialogue and so on, which act as puzzle pieces to fit together as the narrative is shaped. Out of the thousands of files and links for each new work, I may end up only keeping and incorporating a handful of them, but the selection of material and the research involved is tremendously engaging. I also love letting my imagination have free rein so that I end up surprised at the unexpected, which feeds into my excitement for the project, and hopefully the writing itself. Another thing that helps is that I don’t write in a single genre. In some ways that is bad, because it makes it harder to develop a core audience; but on the other hand it means everything feels fresh and unexpected to me (and hopefully my readers), and I can also select the best mood, format and genre for the story I want to tell, rather than being too constrained by expectations and rules.

Comments

Popular posts from this blog

Beyond Weird - Philip Ball *****

It would be easy to think 'Surely we don't need another book on quantum physics.' There are loads of them. Anyone should be happy with The Quantum Age on applications and the basics, Cracking Quantum Physics for an illustrated introduction or In Search of Schrödinger's Cat for classic history of science coverage. Don't be fooled, though - because in Beyond Weird, Philip Ball has done something rare in my experience until Quantum Sense and Nonsense came along. It makes an attempt not to describe quantum physics, but to explain why it is the way it is.

Historically this has rarely happened. It's true that physicists have come up with various interpretations of quantum physics, but these are designed as technical mechanisms to bridge the gap between theory and the world as we see it, rather than explanations that would make sense to the ordinary reader.

Ball does not ignore the interpretations, though he clearly isn't happy with any of them. He seems to come clo…

Mercury - William Sheehan ****

Driving to work one morning several years ago, I spotted a tiny white dot close to the rising sun. ‘That’s Venus,’ I said to myself. Almost immediately I saw another, much brighter dot a few degrees away. ‘No, that’s Venus – the first one must be, um ... Mercury.’ Even with a lifelong interest in astronomy, I always manage to forget Mercury.

With eight planets in the Solar System, one of them has to be the least interesting – and Mercury got the short straw. That’s a relative statement, though, and a diligent author could still dig up enough fascinating facts about that tiny dot by the Sun to fill a short book. William Sheehan has done a brilliant job of doing just that.

One of the reasons Mercury is so easy to forget is that it’s almost impossible to get a good view of it from Earth. Even after the invention of the telescope, which turned planets like Mars and Jupiter into explorable worlds, Mercury remained a mystery – and the subject of some pretty wild speculations. In 1686, for exa…

Everything You Know About Planet Earth is Wrong - Matt Brown ****

This is the latest of a series of 'Everything You Know About... is Wrong' books from Matt Brown. Although I always feel slightly hard done by as a result of the assertion in the title, as there are certainly things here I know that aren't wrong (I mean, come on, the first corrected piece of 'knowledge' is that 'The Earth is only 6,000 years old' and I can't imagine many readers will 'know' that), it's a handy format to provide what are often surprisingly little snippets of information that are very handy for 'did you know' conversations down the pub (or showing up your parents if you're a younger reader).

Some of the incorrect statements that head each article are well-covered, if often still believed (for example, people thought that world was flat before Columbus), some are a little tricksy in the wording (such as seas have to wash up against land) and some are just pleasantly surprising (countering the idea that gold is a rar…