Skip to main content

Crashing Heaven (SF) - Al Robertson ****

There's an engaging mix of powerful thriller and science fiction in this impressive novel. After the Earth has been rendered uninhabitable, human life is limited to vast space station. Our central character, Jack, has a symbiotic artificial intelligence, Hugo Fist, designed to destroy other AIs in a mysterious collective that is said to have committed an atrocity - but with a kick in the tail that because of an unbreakable contract, Fist will take over Jack's body in a few weeks' time.

Al Robertson packs remarkable technology concepts into the cyber side of this story, from AI corporations that act as a pantheon of gods to the 'puppet' that is Fist (he usually come across as a virtual cross between Mr Punch and an evil ventriloquist's dummy). Robertson does all the cyber stuff so well that it's easy to miss that this is, in effect, a myth in electronic clothing - you could substitute the myths of 'real' Greek gods and magic for what happens here. Although everything is described in cyber-terminology the designers of this technology seem so determined to give everything a 'realistic' skin that the result is just as if magical beings were in action. So, for example, when Fist gets hurt, his projected image appears damaged, explained as because resources aren't available to show him whole - even though it would take more resources to show him damaged.

This doesn't take away from the book at all - you just have to go with the flow. And what an excellent flow it is. Robertson's imagination pumps out remarkable possibilities for a world where the 'weave' (think web plus) enables nothing to be what it seems to the vast majority who are permanently connected through implants. I'm not going to describe any of these examples as it would verge on a spoiler, but there are many beautiful touches. Just occasionally that flow is broken by over-heavy chunks of backstory (rather too much tell and not enough show) - but this gets less common as we head into the book.

I'm not a great fan of post-apocalyptic stories or of space operas - but though there are elements of both here, they're just set dressing for a fantastic bit of storytelling.


Paperback:  

Kindle:  

Using these links earns us commission at no cost to you

Review by Brian Clegg

Comments

Popular posts from this blog

Patricia Fara - Four Way Interview

Patricia Fara lectures in the history of science at Cambridge University, where she is a Fellow of Clare College. She was the President of the British Society for the History of Science (2016-18) and her prize-winning book, Science: A Four Thousand Year History (OUP, 2009), has been translated into nine languages. An experienced public lecturer, Patricia Fara appears regularly in TV documentaries and radio programmes. She also contributes articles and reviews to many popular magazines and journals, including History Today, BBC History, New Scientist, Nature and the Times Literary SupplementHer new book is Erasmus Darwin.

Why history of science?
I read physics at university, but half-way through the course I realised that had been a big mistake. Although I relished the intellectual challenge, I was bored by the long hours spent lining up recalcitrant instruments in dusty laboratories. Why was nobody encouraging us to think about the big questions – What is gravity? Does quantum mechani…

The Idea of the Brain: Matthew Cobb *****

Matthew Cobb is one of those people that you can’t help but admire but also secretly hate just a little bit for being so awesome. He is professor for zoology at the University of Manchester with a sizable teaching load that he apparently masters with consummate skill. He’s a scientific researcher, who researches the sense of smell of fruit fly maggots; I kid you not!  He’s also an attentive and loving family father but he still finds time and energy to write brilliant history of science books, three to date. His first, The Egg and Sperm Race, describes the search for the secret of human reproduction in the seventeenth and eighteenth centuries and is one of my favourite history of science books, on the period. His second, Life’s Greatest Secret is a monster, both in scope and detail, description of the hunt to decipher the structure and function of DNA that along the way demolishes a whole boatload of modern history of science myths. The most recent, and the subject of this review, is

The Search for Life on Mars - Elizabeth Howell and Nicholas Booth ***

From the book’s enticing subtitle, ‘The Greatest Scientific Detective Story of All Time’, I was expecting something rather different. I thought the authors would kick off by introducing the suspects (the various forms life might take on Mars, either now or in the past) and the kind of telltale traces they might leave, followed by a chronological account of the detectives (i.e. scientists) searching for those traces, ruling out certain suspects and focusing on others, turning up unexpected new clues, and so on. But the book is nothing like that. Continuing with the fiction analogy, this isn’t a novel so much as a collection of short stories – eleven self-contained chapters, each with its own set of protagonists, suspects and clues.

Some of the chapters work better than others. I found the first three – which despite their early placement cover NASA’s most recent Mars missions – the most irritating. For one thing, they unfold in a way that’s at odds with the cerebral ‘detective story’ na…