Skip to main content

Discord – Mike Goldsmith ***

Subtitled ‘the story of noise’ this is a book about noise as nuisance, noise as literal discord and just what noise is – through the ages.
When I started the book I was thrilled – there really hasn’t been a good book about sound that I’ve come across, and inevitably this book puts in place a lot of the science of sound, as well as what turns it into noise. The early part is truly fascinating.
It’s very interesting in terms of noise as nuisance just how far the concept goes back, and also a delight to see the various early legal and scientific attempts to quantify it and control it. Overall, though, the plodding historical approach, almost decade by decade, does become horribly repetitive as the book continues and this really makes what would otherwise have been a truly excellent book a bit of a chore to read.
My other sadness is that there isn’t more about discordant music. As far as I have spotted there are only two references to this, first in the classical era and then 20th century. This misses some great possibilities – for example the way in Tudor/Elizabethan music, effectively a different key was used for ascending and descending note sequences, producing some startling discords – or for that matter the way Bach made use of them and then was Bowdlerized by the Victorians who thought he didn’t mean it.
Overall, then, a great start to an excellent concept, but the book doesn’t deliver consistently and can be more than a bit repetitious.

Hardback 

Kindle 
Using these links earns us commission at no cost to you
Review by Brian Clegg

Comments

Popular posts from this blog

Roger Highfield - Stephen Hawking: genius at work interview

Roger Highfield OBE is the Science Director of the Science Museum Group. Roger has visiting professorships at the Department of Chemistry, UCL, and at the Dunn School, University of Oxford, is a Fellow of the Academy of Medical Sciences, and a member of the Medical Research Council and Longitude Committee. He has written or co-authored ten popular science books, including two bestsellers. His latest title is Stephen Hawking: genius at work . Why science? There are three answers to this question, depending on context: Apollo; Prime Minister Margaret Thatcher, along with the world’s worst nuclear accident at Chernobyl; and, finally, Nullius in verba . Growing up I enjoyed the sciencey side of TV programmes like Thunderbirds and The Avengers but became completely besotted when, in short trousers, I gazed up at the moon knowing that two astronauts had paid it a visit. As the Apollo programme unfolded, I became utterly obsessed. Today, more than half a century later, the moon landings are

Space Oddities - Harry Cliff *****

In this delightfully readable book, Harry Cliff takes us into the anomalies that are starting to make areas of physics seems to be nearing a paradigm shift, just as occurred in the past with relativity and quantum theory. We start with, we are introduced to some past anomalies linked to changes in viewpoint, such as the precession of Mercury (explained by general relativity, though originally blamed on an undiscovered planet near the Sun), and then move on to a few examples of apparent discoveries being wrong: the BICEP2 evidence for inflation (where the result was caused by dust, not the polarisation being studied),  the disappearance of an interesting blip in LHC results, and an apparent mistake in the manipulation of numbers that resulted in alleged discovery of dark matter particles. These are used to explain how statistics plays a part, and the significance of sigmas . We go on to explore a range of anomalies in particle physics and cosmology that may indicate either a breakdown i

Splinters of Infinity - Mark Wolverton ****

Many of us who read popular science regularly will be aware of the 'great debate' between American astronomers Harlow Shapley and Heber Curtis in 1920 over whether the universe was a single galaxy or many. Less familiar is the clash in the 1930s between American Nobel Prize winners Robert Millikan and Arthur Compton over the nature of cosmic rays. This not a book about the nature of cosmic rays as we now understand them, but rather explores this confrontation between heavyweight scientists. Millikan was the first in the fray, and often wrongly named in the press as discoverer of cosmic rays. He believed that this high energy radiation from above was made up of photons that ionised atoms in the atmosphere. One of the reasons he was determined that they should be photons was that this fitted with his thesis that the universe was in a constant state of creation: these photons, he thought, were produced in the birth of new atoms. This view seems to have been primarily driven by re