Skip to main content

Sand – Michael Welland ****

I don’t know who the commissioning editor for this book was, but I want this person on my side. Imagine, going into a commissioning meeting saying, ‘Hey, I’ve got this proposal for a great book.’ ‘Really, what’s it about?’ ‘Erm, sand.’ And yet still (s)he managed to sell it. And that’s a good thing – because Michael Welland’s book is fascinating.
This is much more than a book about what sand is – though that’s covered in considerable depth – it’s about its physical nature, how it is made, how human beings have responded to it and much more. We plunge into the detail of a single sand grain and zoom out to take in vast deserts. Two chapters are titled ‘Sand and the Imagination’ and chronicle how sand has influenced our thinking, from Archimedes’ The Sand Reckoner to art and literature inspired by sand. This is sand for the sand enthusiast – but also sand for anyone who has sat on a beach and built sandcastles, or let dry sand drift through their fingers.
I am giving this book four stars because it’s well written, makes an apparently dull subject interesting and goes places you really wouldn’t imagine. But I do have one big problem with it. It’s not Welland’s writing. That’s just occasionally a touch flowery, but generally good. No, it’s the psychological impact of the topic.
The fact is, this book sat on my review shelf for months. I kept picking it up and looking at it – it’s a handsome book with a good heft – then putting it back on the shelf. I really couldn’t be bothered to read about sand. Even more surprising was my reaction once I started reading it. This took place over several days – it’s a fairly substantial book. Every time I came back to it, I tried to read something else instead. I just didn’t want to read about sand. When I forced myself to open it, I was quickly engrossed again. But the same would then happen again next time I was thinking of picking it up – I genuinely tried not to read it, over and over again.
This might just be a peculiarity I have – but if it’s not I do need to provide a health warning. Yes, it’s a good, readable book, but you might have trouble making yourself read it.
Paperback:  
Also in hardback:  
Review by Brian Clegg

Comments

Popular posts from this blog

The Art of Statistics - David Spiegelhalter *****

Statistics have a huge impact on us - we are bombarded with them in the news, they are essential to medical trials, fundamental science, some court cases and far more. Yet statistics is also a subject than many struggle to deal with (especially when the coupled subject of probability rears its head). Most of us just aren't equipped to understand what we're being told, or to question it when the statistics are dodgy. What David Spiegelhalter does here is provide a very thorough introductory grounding in statistics without making use of mathematical formulae*. And it's remarkable.

What will probably surprise some who have some training in statistics, particularly if (like mine) it's on the old side, is that probability doesn't come into the book until page 205. Spiegelhalter argues that as probability is the hardest aspect for us to get an intuitive feel for, this makes a lot of sense - and I think he's right. That doesn't mean that he doesn't cover all …

Six Impossible Things - John Gribbin *****

On first handling John Gribbin's book, it's impossible not to think of Carlo Rovelli's Seven Brief Lessons in Physics - both are very slim, elegant hardbacks with a numbered set of items within - yet Six Impossible Things is a far, far better book than its predecessor. Where Seven Brief Lessons uses purple prose and vagueness in what feels like a scientific taster menu, Gribbin gives us a feast of precision and clarity, with a phenomenal amount of information for such a compact space. It's a TARDIS of popular science books, and I loved it.

Like rather a lot of titles lately (notably Philip Ball's excellent Beyond Weird), what Gribbin is taking on is not the detail of quantum physics itself - although he does manage to get across its essence in two 'fits' (named after the sections of Hunting of the Snark - Gribbin includes Lewis Carroll's epic poem in his recommended reading, though it's such a shame that the superb version annotated by Martin Gardi…

Elizabeth Bear - Four Way Interview

Elizabeth Bear won the John W. Campbell award for Best New Writer in 2005 and has since published 15 novels and numerous short stories. She writes in both the SF and fantasy genres and has won critical acclaim in both. She has won the Hugo Award more than once. She lives in Massachusetts. Her latest title is Ancestral Night.

Why science fiction?

I've been a science fiction fan my entire life, and I feel like SF is the ideal framework for stories about humanity and how we can be better at it. Not just cautionary tales - though there's certainly also value in cautionary tales - but stories with some hope built in that we might, in fact, mature as a species and take some responsibility for things like reflexive bigotry and hate crimes (as I'm writing this, the heartbreaking news about the terrorist attack on Muslim worshipers in Christchurch is everywhere) and global climate destabilization. These are not intractable problems, but we need, as a species, the will to see that we …