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Ecologic – Brian Clegg *****
We’ve thought long and hard in the past about how to review books written by our editor, Brian Clegg. There’s always the danger of seeming biased. So for this book we’ve instead gone for a summary of what it’s about and a few quotes from an independent review in BBC Focus Magazine.
This is the thesis of the book:
We aren’t well equipped to deal with green issues. Our natural tendency with such an emotive issue is to be swayed by feelings, rather than logic. And that’s fine to get us all excited – but it doesn’t make for good solutions to green problems. Ecologic uncovers the reality behind the greenwash and the eco-bogeymen.
Here’s part of the review:
This book crackles. Every paragraph pits your heart against your head. Those with green sensibilities and a nervous disposition may have a cardiac arrest. But the rest of us will have our synapses set alight…
He rails at ‘MMR madness’ and has the notorious Channel 4 programme The Great Global Warming Swindle bang to rights as an intellectual swindle itself. He is intelligent on fair trade and the “muck and mysticism” of organic farming and understanding about our unfortunate confusion over biodegradables…
A cracking read for anyone who cares about both their environmental footprint and their sanity in a world being flooded with greenwash and gobbledegook. (5 stars out of 5)
Also on Kindle:
Review by Fred Pearce
It was an admirable task for Brian to set about analysing the true “green-ness” of those claiming to be green on several broad spectrum environmental issues. However, I found the book more debilitating and exhilarating when it came to changing my own behaviour to be green. The approach was methodical indeed, the arguments well founded and certainly I learnt more in depth about several issues including a real look at the “organic” movement. And yet, while the author’s best intentions are to reveal why and how we should be green, and properly green at that, there is little hint of this motivation apart from in the dedications and on the final pages of the book. Taking a scalpel to the “irrational” side of science is fine and yet it somehow cut out my raison d’etre of reading the book. By the end the book I was still wondering if cutting my carbon emissions would make the blindest bit of difference to anyone if nitrous oxide is the true bogeyman we should be focusing on, as Brian had factually pointed out.
On the positive and rather academic side the book made me ask lots of questions.
The best question the book made me ask myself was “what organic and natural things am I deceiving myself with that are actually really poisons?” It has stimulated much label reading in the kitchen and bathroom and a reverence for coffee, one the most toxic things I had not really thought much about until reading this book.
Oh well. If you want to pass your university Msc. in Science Studies by arguing and critiquing the issues then buy this book. If you want a green fairytale or a local green operational manual to inspire yourself out of eco-inertia you need to look elsewhere.
I am still waiting for a popular science book that is clear and easy enough to read in the bath to relax!
The authors of science books are always trying to find new ways to get the message across to their audiences. In Dialogues, Clifford Johnson combines a very modern technique - the graphic novel or comic strip - with an approach that goes back to Ancient Greece - using a dialogue to add life to what might seem a dry message.
We have seen the comic strip approach trying to put across quite detailed science before in Mysteries of the Quantum Universe. As with that book, Dialogues manages to cover a fair amount of actual physics, but I still feel that the medium just wastes vast acres of page to say very little at all. This is brought home here because quite a lot of the sections of Dialogues start with several pages with no text on at all, just setting up the scenario.
As for using a discussion between two people to put a message across, Johnson makes the point that, for instance, Galileo's very readable masterpiece Two New Sciences is in the form of a dialogue (more accurately a discu…
Liam Drew is a writer and former neurobiologist. he has a PhD in sensory biology from University College, London and spent 12 years researching schizophrenia, pain and the birth of new neurons in the adult mammalian brain. His writing has appeared in Nature, New Scientist, Slate and the Guardian. He lives in Kent with his wife and two daughters. His new book is I, Mammal.
As hackneyed as it is to say, I think I owe my fascination with science to a great teacher – in my case, Ian West, my A-level biology teacher. Before sixth form, I had a real passion for the elegance and logic of maths, from which a basic competence at science at school arose. But I feel like I mainly enjoyed school science in the way a schoolkid enjoys being good at stuff, rather than it being a passion.
Ian was a revelation to me. He was a stern and divisive character, but I loved the way he taught. He began every lesson by providing us with a series of observations and fact, then, gradually, between …
This is an interesting book, even if it probably tries to be too many things to too many people. I wondered from the cover design whether it was a children's book, but the publisher's website (and the back of the book) resolutely refuse to categorise it as such. The back copy doesn't help by saying that it will 'inspire trailblazers and pioneers of all ages.' As I belong to the set 'all ages' I thought I'd give it a go.
Inside are featured the 'stories of fifty inspirational women who have been fundamental to the story of humans in space.' So, in some ways, A Galaxy of Her Own presents the other side of the coin to Angela Saini's excellent Inferior. But, inevitably, given the format, it can hardly provide the same level of discourse.
Despite that 'all ages' comment and the lack of children's book labelling we get a bit of a hint when we get to a bookplate page in the form of a Galaxy Pioneers security pass (with the rather worrying…